Tonight, 12/4, in New York, The Center for Fiction, hosts “Beyond Geography,” a discussion of the role of place in the art of fiction with Jennifer Haigh, Hari Kunzru, Jennifer Acker, and Sonya Chung, co-sponsored by The Common.
“Beyond Geography” Event at The Center for Fiction
Mister Orhanium’s Wonder Emporium
Orhan Pamuk's Museum of Innocence (named after his most recent novel of the same name) will open this week in Istanbul's Çukurcuma neighborhood. The museum consists of hundreds of objects "collected" by a fictional character in the eponymous book.
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Anything that helps you to see. Anything that makes you look
On Flannery O' Connor's practice of making visual art, and how the habits of an artist informed her sensibility as a writer.
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Breaking Point
One of the better reasons you should read this review of the new book Breakfast with Freud is this quote, in reference to a Lucian Freud painting: “Robert Hughes compared [Francis] Bacon’s face in it to ‘a hand grenade on the point of detonation.’”
Tuesday New Release Day: Bender, Marias, Sayrafiezadeh
Out this week: The Color Master, a new short story collection by Aimee Bender; an English-language translation of The Infatuations by Javier Marias; and Brief Encounters with the Enemy, the new Saïd Sayrafiezadeh book that Scott Cheshire reviewed for us on Monday. Read more about these and other releases in our Great 2013 Second-Half Book Preview.
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Do You Eat Pork?
And now, a little bit about a world you might be totally unfamiliar with; this piece from The Rumpus is a fascinating, in-depth look at identity politics and eating pork in the Chinese borderlands. Bonus: a complementary piece about what it’s like to be a Chinese-American writer living in china.
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“Medvedev is Russia’s first genuinely post-Soviet writer”
n+1 posted the introduction Keith Gessen wrote for Kirill Medvedev’s It’s No Good poetry and essay collection, which Gessen translated along with Mark Krotov, Cory Merrill, and Bela Shayevich.
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