Tonight, 12/4, in New York, The Center for Fiction, hosts “Beyond Geography,” a discussion of the role of place in the art of fiction with Jennifer Haigh, Hari Kunzru, Jennifer Acker, and Sonya Chung, co-sponsored by The Common.
“Beyond Geography” Event at The Center for Fiction
Anxiety or Discipline?
Recommended Viewing: This installment of The Paris Review’s “My First Time” series, in which poet Ben Lerner remembers “working under the sign of crisis” and attempting to find a publisher for his first book, The Lichtenberg Figures. A couple of Lerner-related pieces from The Millions: a review of his newest novel, 10:04, and a Year in Reading from back in 2014.
Marlon James’s Dark Star Trilogy
A Brief History of Seven Killings author Marlon James was struck by the whiteness of The Hobbit, and in an interview for Entertainment Weekly, he explains it inspired him to write his own fantasy series based on African epic traditions. “It’s sort of like my being a scholar of African history and mythology, and my being a total sci-fi/fantasy geek who rereads things like The Mists of Avalon, they just sort of came together,” James said. He’s targeting a Fall 2018 release for the first book.
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The Future of Work
Can Google help translate a novel? Over at Publishers Weekly, Esther Allen explores Google Translates’ linguistic abilities. Also check out this Millions essay about translators at work.
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Hear what everyone has to say but don’t listen to anyone (except me).
Suddenly, a Knock on the Door author Etgar Keret shares “Ten Rules for Writers” with Rookie.
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The Published, Paralyzed Piglet
Chris P. Bacon is a young Floridian piglet that gets around these days by utilizing a makeshift wheelchair. He also just signed a three-book deal with the world’s largest self-help and motivational publisher.
Hot Take!
Tim Parks’s review of Han Kang’s The Vegetarian has some pretty interesting things to say about the nature of reviewing translation, but it also takes some shots at the novel and its proponents: “Looked at closely, the prose is far from an epitome of elegance, the drama itself neither understated nor beguiling, the translation frequently in trouble with register and idiom. Studying the thirty-four endorsements again, and the praise after the book won the prize, it occurs to me there is a shared vision of what critics would like a work of ‘global fiction’ to be and that The Vegetarian has managed to present itself as a candidate that can be praised in those terms.” Here’s a Millions review of Kang’s Man Booker International prize-winner.
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