With news of this year’s winner fresh off the press, it’s easy to see how the Literary Review’s “Bad Sex Awards” are an annual delight to many readers (as well as an annual horror to several authors). But are they also counter-productive? As one former “winner” of the award asks, is the Bad Sex Award “anything more than a sort of moral outrage dressed up as a quest for high standards in writing?”
Are The Bad Sex Awards… Bad?
Art as Activism
“In the media there are a very limited number of ways that people are used to seeing sex-worker characters, and I definitely wanted to break out of that.” The Los Angeles Review of Books interviews Aya de León about her debut novel, Uptown Thief.
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Lacking Lacks
Henrietta Lacks is finally getting some credit for her genome’s contribution to science. The subject of The Immortal Life of Henrietta Lacks was formally recognized by the US National Institutes of Health for her HeLa cells.
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What’s The Rush?
Benjamin Percy makes the case for slowing down, “the best thing [he] ever did for my reading, which might be the best thing [he] ever did for [his] writing.”
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JFK on the Decline of Physical Fitness
Recommended Reading: John F. Kennedy’s 1960 essay, “The Soft American,” in which the president warns us about “an increasingly large number of young Americans who are neglecting their bodies.”
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Ted Hughes’ Lost Poem
Tuesday New Release Day: Rowling, Homes, Stein, Wilson, Moehringer, Tejpal, Silver, Young, Warner, Donoghue
Another bumper crop of books this week is led by J.K Rowling’s post-Potter effort, The Casual Vacancy is on shelves, as are May We Be Forgiven by A.M. Homes, Canvas by Benjamin Stein, Panorama City by Antoine Wilson, Sutton by J.R. Moehringer, Tarun J. Tejpal’s debut The Story of my Assassins. On the non-fiction side, Nate Silver’s long-awaited The Signal and the Noise is here, as is Neil Young’s memoir Waging Heavy Peace. New in paperback: John Warner’s Funny Man (the edition includes an essay by Warner that ran on The Millions) and Emma Donoghue’s blockbuster The Room.
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Paul Constant of the Stranger has a different critique of the Bad Sex Awards that he’s been repeating; namely, that literary fiction is too sexless as is and this contest supports that.