“Rockslide Sky,” an exhibition of art inspired by Roberto Bolaño‘s story “Gomez Palacio,” has just completed its run at Fordham University’s Center Gallery/Lipani Gallery…but a slideshow lives on in cyberspace. (I like feel this one would have made a nice cover for Last Evenings on Earth, but Bolañophiles may want to click through all 18.)
Out this week: The Last Kid Left by Rosecrans Baldwin; The Answers by Catherine Lacey; Dear Cyborgs by Eugene Lim; Perennials by Mandy Berman; Everybody's Son by Thrity Umrigar; and The Gypsy Moth Summer by Julia Fierro. For more on these and other new titles, go read our most recent book preview.
“The peace may be holding, but the process is faltering,” writes Colum McCann, forty years after the Dublin/Monaghan bombings, in his evaluation of Ireland’s present relationship with the “Troubles.” “It is, of course, naïve to expect total reconciliation,” he continues. “Some grievances are so deep that the people who suffered them will never be satisfied. But the point is not satisfaction — the point is that the present is superior to the past, and it has to be cultivated as such.”
Wow, NPR, this is kind of amazing: "A non-stop mix of every song ever played during the 10 years of All Songs Considered."
"Internet-centrism, then, treats 'the Internet' as an object that acts on society from outside, rather than a technological form that emerges from within a particular social and political situation." The Los Angeles Review of Books reviews Evgeny Morozov's latest critique of the digital age, To Save Everything, Click Here.