Wordplay
A Few Last Words
How did Bob Mankoff know something was wrong with Roger Ebert? Because he failed to enter The New Yorker’s weekly caption contest, of course. To honor Ebert’s memory, the magazine published his final cartoon captions.
Acts of gruesomely violent chivalry and vehicular aggression.
Yet another entry for the list of all time greatest single-purpose tumblrs: Witless Innuendo, bringing you “a collection of those end-of-review warnings from The New York Times‘ film critics.”
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Twitter’s Poetics, Twitter’s Bots
As Teju Cole demonstrated with his real-time ghazals (one, two, and three) this past week, Twitter is a medium ripe for linguistic experimentation. And far from being the exclusive domain of human beings, the social network can also produce “found poetry” at the behest of computer programs – a practice I recently wrote about for The Bygone Bureau. But who’s behind these Twitter bots? Over at The Boston Globe, they check in with Darius Kazemi, the 30-year-old programmer who’s made some of the most-loved accounts out there.
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And So It Goes
Before he died, Kurt Vonnegut gave the go-ahead that has allowed Charles Shields to construct And So It Goes, an incisive, gossipy page-turner of a biography, even if it’s hard to tell just how authorized this book really is.
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“Sing for our time, too.”
Photographer Stefano De Luigi, featured in the latest New Yorker, traces the route and oral tradition of Homer’s The Odyssey using only an iPhone.
“Comfort savagery”
“Others may prefer to will themselves into James Bond’s dinner jacket and Aston Martin DB4, but I’d rather slip into a !Kung hunter’s penis sheath and heft his hunting spear.” At The Guardian, Will Self explores his odd preference for deeply uncomfortable comfort reading.
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Goodbye, Byes
Recommended Reading: Jason Arthur’s farewell to goodbye-to-New-York essays.