In a big week for new releases, we have Lev Grossman’s The Magician King, the sequel to his blockbuster debut The Magicians; Nicholson Baker’s House of Holes, reviewed here today; another new Geoff Dyer book, The Missing of the Somme; DBC Pierre’s Lights Out in Wonderland; and Kevin Wilson’s debut novel The Family Fang (which one blurber calls The Royal Tenenbaums meets Who’s Afraid of Virginia Woolf). Four of the five books above, incidentally, were featured in our big second-half preview. And out in a paperback this week are a pair of award winners: Siddhartha Mukherjee’s The Emperor of All Maladies and David Grossman’s To the End of the Land.
Self-styled music critic Patrick Bateman, the protagonist of Bret Easton Ellis’s 1991 novel American Psycho, certainly had a lot to say about 80s mainstays like Genesis and Huey Lewis and the News. Over at The New Inquiry, J. Temperance argues for Steve Winwood as Patrick Bateman’s musical doppelgänger. Go ahead and take a look at this essay by Bill Morris of The Millions on The Canyons, a film for which Ellis wrote the screenplay.