“Percy’s victory set off a controversy that involved the most powerful man in publishing, a famous journalist eager to take credit for the award, and a cub reporter who would go on to become one of the most celebrated writers of our time.” Benjamin Hedin delves into the mysteries of a controversial award.
TNR‘s Ruth Franklin test-drives a new online dating service that “purports to match people based on their taste in literature.” Spoiler alert: Sebald lovers appear to be out of luck.
Two great scoops were passed my way by the intrepid Brian, fresh from his European sojourn. The first is this so-wierd-it-has-to-be-true story about Newt Gingrich being an extremely prolific and friendly Amazon.com customer reviewer. Click here for the must-read gory details.While in Spain, Brian read Robert Hughes’ new book Barcelona: The Great Enchantress from the National Geographic Directions series and noticed on the back cover that Jon Lee Anderson, the New Yorker’s Baghdad correspondent extraordinaire, has a book for the series coming out. It will be about Andalucia. This will be a busy year for Anderson. In the fall, his fantastic Baghdad pieces will be collected in The Fall Of Baghdad and he will also release Guerrillas: Journeys in the Insurgent World, which ought to be quite good.
Hack author Dmitry Samarov is this week’s guest blogger at Writers No One Reads (which we’ve mentioned before). In his first post, Samarov takes a look at the work of Willard Motley, who grew up in Chicago’s Englewood neighborhood in the early 1900s, and is most well-known for his 1947 bestseller, Knock On Any Door.
New this week: The Faraway Nearby by Rebecca Solnit, The Silver Star by Jeannette Walls, Crazy Rich Asians by Kevin Kwan, The Engagements by J. Courtney Sullivan, The Execution of Noa P. Singleton by Elizabeth Silver, Bobcat by Rebecca Lee, and a retelling of One Thousand and One Nights by Hanan al-Shaykh, with a foreword by Mary Gaitskill.
“Book reviews are another matter, because a bad review has the potential to be far more adversarial: one writer spending years on a book, one reviewer spending days reading it, and a lasting relationship being created between the two in print. Or, perhaps, a history between the two that lends the review a particular piquancy.” An exegesis of the good bad review.
Waxwing, a new literary journal, has published its first issue online. The journal’s editors state that their mission is “to include American writers from all cultural identities — in terms of race, ethnicity, indigenous tribe, gender, class, sexuality, age, education, ability, language, religion, and region — alongside international voices, published bilingually.”