It’s a quiet week for new books. David Mitchell’s Cloud Atlas, which famously became a blockbuster bestseller after being released as a paperback original, is now available in hardcover for the first time ever in the U.S., thanks to a new Modern Library Edition. Short story master Tessa Hadley has a new collection out, Married Love, (as a paperback original, coincidentally).
Walter White is the new Walt Whitman. “Both are intellectual pioneers in their fields, their legacies—centuries apart—demanding risk, casting them outside of society, gliding out into the world, liberated from societal constraints,” Kera Bolonik writes about Whitman’s influence on Breaking Bad.
“I think the key to social media for authors is remembering this: its main purpose is really to show that you are a real human being who lives in this world.” Year in Reading alums (respectively) Celeste Ng, Alexander Chee, Roxane Gay, and Adam M. Grant talk to LitHub about how to be a writer on the internet.
“People used to wish that life could be as it is in books—that it could have the beauty, drama, and shapeliness that writers gave it. Today, by contrast, we hope desperately that life is not really like our writers portray it; in other words, we hope that writers are not representative men and women, but unfit beings whose perceptions are filtered through their unhealth. It is necessary to hope this, because if life were as it appears in our literature it would be unlivable.” Adam Kirsch explores the downside of literary nostalgia.
In an interview with Vice, Joy Williams explains that writing gives her “no happiness”. Pair with an interview with our own Hannah Gersen, who “would have stopped [writing] a long time ago” if she didn’t love it. You could also read Nick Ripatrazone’s recent article on fifty reasons to read Williams.