It’s a quiet week for new books. David Mitchell’s Cloud Atlas, which famously became a blockbuster bestseller after being released as a paperback original, is now available in hardcover for the first time ever in the U.S., thanks to a new Modern Library Edition. Short story master Tessa Hadley has a new collection out, Married Love, (as a paperback original, coincidentally).
James Franco isn’t done with William Faulkner’s oeuvre just yet. After screening his adaptation of As I Lay Dying (trailer here) at the Cannes Film Festival this year, Franco announced that he plans on bringing The Sound and the Fury to the big screen next.
Stephen Elliot explains why publishers are shooting themselves in the foot when they gouge authors trying to buy copies of their own books.
Months after 60 Minutes aired its damning profile of Central Asia Institute’s founder Greg Mortensen (Three Cups of Tea), the American Institute for Philanthropy has called for his resignation. The call comes on the heels of Jon Krakauer‘s investigation into Mortensen’s use of the CAI’s finances.
Isotropic Films has begun filming a “fresh, modern horror [film] version” of Franz Kafka’s The Metamorphosis. At The New York Review of Books, Mark Harman offers a new translation of the late author’s “A Message From the Emperor,” which Harman calls “hauntingly oblique.” Further away still, Elif Batuman recognizes some Kafkaesque street signage in Turkey.
How do you describe the life and times of John Horne Burns? He was in turn a military intelligence officer, a schoolteacher, a critical darling after he published The Gallery, a pariah after he published anything else, and a gay man in post-WWII America. In characteristic concision, Ernest Hemingway summed the whole thing up thusly: “There was a fellow who wrote a fine book and then a stinking book about a prep school, and then he just blew himself up.”