“The American poem was not in a grave at that time; not by any measure. There was achievement, experiment, excitement. But there was also confinement. It could be felt in the air, in an ethos of conditional acceptance. A young woman poet was not yet a familiar sight. When Auden remarked about [Adrienne] Rich’s poems, after choosing her as a Yale Younger Poet, that they were ‘neatly and modestly dressed,’ it sounded more like a counsel for the nursery than acclaim for a new writer.” At The New Republic, Eavan Boland reflects on the legacy of the poet, whose posthumous collection, Later Poems, came out last week.
Thoughts on a Prodigy
Egan for President
“The power and meaning of the written word are central to the complexities we face today—both as a nation, and globally. To my mind, freedom of expression is a basic human right.” Pulitzer Prize-winning author Jennifer Egan has been named the new president of PEN America. Pair with: our own Edan Lepucki‘s 2010 profile of Egan.
I think a lot about myself, therefore I am self.
In the Prospect, an essay on anesthesia, 3D printing, teleportation, LSD, and other thought experiments on self-awareness. Also, this line: “If the spectrum of selfhood begins with the roundworm, surely it ends with Proust.”
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Recommended Reading: “Seven Days After Father”
Essay Liu‘s essay “Seven Days After Father” has been translated by Kevin T. S. Tang for Blunderbuss Magazine and presents a daughter’s sincere grief confused by custom. “‘The funeral director forbids tears as we approach your coffin, but demands that we weep on our return. This is the movie script we’ve been handed, one we’ll be beholden to for days, and I know that many things are not mine to decide anymore. Even our tears have been planned for us.”
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A Salinger Candid
Newsweek unearthed a heretofore unseen candid snapshot of J.D. Salinger “three years into the seclusion that would span the last 45 years of his life.” (Thanks, Chris)
What It Was Like, Down South
You may have read Darcey Steinke’s Year in Reading piece, or perhaps one of her articles here at The Millions. Or else you might have read — or at least heard about — her recent novel, Sister Golden Hair. Either way, you should read this interview at The Rumpus, in which she talks about Virginia, femininity and books that have too much plot.
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