“The American poem was not in a grave at that time; not by any measure. There was achievement, experiment, excitement. But there was also confinement. It could be felt in the air, in an ethos of conditional acceptance. A young woman poet was not yet a familiar sight. When Auden remarked about [Adrienne] Rich’s poems, after choosing her as a Yale Younger Poet, that they were ‘neatly and modestly dressed,’ it sounded more like a counsel for the nursery than acclaim for a new writer.” At The New Republic, Eavan Boland reflects on the legacy of the poet, whose posthumous collection, Later Poems, came out last week.
Lit crit becomes a legal matter: “The contrast between the total concept and feel of the works is so stark that any serious comparison of the two strains credulity,” wrote the English judge who has dismissed the case against J.K. Rowling brought by the estate of Willy the Wizard author Adrian Jacobs. Jacobs’ estate claimed that Rowling had plagiarized elements of Willy the Wizard‘s plot in Harry Potter and the Goblet of Fire.
“If I was working against any existing Detroit narrative, it is the one where working-class black people exist as numbers or victims and not as fully-realized, complex people.” Angela Flournoy on her most recent work, The Turner House, a National Book Award finalist. We interviewed the author and reviewed the book.
Recommended Reading: Robyn Creswell and Bernard Haykel on why jihadists write poetry.