n+1 republished “The End, The End, The End,” an essay by Chad Harbach, in response to the destruction of Sandy.
A couple weeks ago, our own Janet Potter reviewed Jon Ronson’s So You’ve Been Publicly Shamed, a new book which examines the rise of public shaming on social media. In the Times, Ronson takes part in the paper’s By the Book series, several entries of which we’ve written about before. Among other things, he recommends The Girl on the Train by Paula Hawkins and Violence by James Gilligan.
"One of the things I like about my job is that it draws on the entire person: not just your knowledge of grammar and punctuation and usage and foreign languages and literature but also your experience of travel, gardening, shipping, singing, plumbing, Catholicism, Midwesternism, mozzarella, the A train, New Jersey. And in turn it feeds you more experience. The popular image of the copy editor is of someone who favors rigid consistency. I don’t usually think of myself that way. But, when pressed, I do find I have strong views about commas." Mary Norris's "Confessions of a Comma Queen," from the New Yorker.
Emdashes notes that the New Yorker is issuing an update disk for its Complete New Yorker DVD-ROM set. She also spotted the Complete New Yorker being sold on a portable hard drive.At the Washington Post, an academic writes in defense of the Google Book Search Library Project: "Only a small fraction of the huge number of books published today are printed in editions of more than a few thousand copies. And the great works of even the recent past are quickly passing into obscurity. Google has joined with major libraries to make it possible for all titles to remain accessible to users."At the SF Chronicle, a report that somebody is finally holding the folks behind the JT Leroy hoax responsible: "Jeffrey Levy-Hinte and Mary Jane Skalski of Antidote Films, an independent film company that bought the rights to JT LeRoy's novel, Sarah, have sued LeRoy and/or Laura Albert (who was LeRoy) and Judi Farkas, Hollywood manager of the writer. The New York Times reports that in the suit, filed in New York, the filmmakers want $45,000 they paid in options and $60,000 in costs they paid in developing the project." You'll recall that back in January I asked What about JT Leroy? (via Ed)The corporate-sponsored literary popularity contest The Quills is back. Here are the many, many nominees. I don't have much to add to what I wrote about The Quills last year: "If we are dissatisfied with the Booker Prize or the National Book Award or the Pulitzer, the Quills, which casts the net very wide and relies on voting from the reading public, have been presented as a populist alternative. The results are less than satisfying. It is not news to anyone that the reading public likes Harry Potter and books by Sue Monk Kidd and Janet Evanovich. I hold nothing against those bestsellers, but naming them the best books of the year does little to satisfy one's yearning to be introduced to the best, to have an encounter with a classic in our own time. We like those bestsellers because they entertain us, but while monetary success is the reward for those entertaining authors, awards have typically honored books with qualities that are more difficult to quantify."Another book banning attempt: The Miami-Dade School Board has sided with a parent who wishes to remove Vamos a Cuba (A Visit to Cuba) and 23 other books from school libraries. The pro-book banning contingent contends that the books fail to give an accurate picture of life in Cuba under Castro. The Miami Herald has the latest.
Apropos of our recent essay by a student hiding out in a bookstore with spotty Wi-Fi to avoid reading online, The Rumpus interviewed a bookstore and coffeeshop owner who has taken the bold step of making his establishment a WiFi-free zone. "I’ve observed and been told many times about how the availability of Wi-Fi creates a space where people are wrapped up in their own, solitary world and not interacting with each other."
“As you can see here, it’s all about desire and longing.” Yes it is, Ragnar, yes it is. Icelandic performance artist Ragnar Kjartansson is fascinated by what he calls “the oppressiveness of western culture claustrophobia.” His newest work, Bonjour, has shifted focus to poke fun at the ways in which the rest of the world elevates French sensibilities.
It's that time of year again – our good friends at The Morning News are back with their annual epic, the Tournament of Books! Head over to TMN now to read round 1, which pits award season favorite Lincoln in the Bardo against Samantha Schweblin's Fever Dream (and read our own review of George Saunders's much-lauded novel here).