n+1 republished “The End, The End, The End,” an essay by Chad Harbach, in response to the destruction of Sandy.
The “David Mamet Appliance Center” has some predictably abrasive customer service representatives. Here is Peter McCleery for McSweeney’s imagining a hilarious and existentially hopeless exchange between customer and technician. The Millions has even more to satisfy your fictitious-Mamet fix: an imagined symposium with Mamet, Francine Prose, and James Wood among others.
When a novel is printed in multiple countries, it often has more than one editor. Slate interviews Emma Donoghue; her American editor, Judy Clain; and her Canadian editor, Iris Tupholme, about how they all edited Frog Music. They discuss everything from how to deal with editing disputes to the best way to get edits. “I much prefer to get everyone’s opinions separately, because if I got a single editorial letter, it would be like getting a note from God!” Donoghue says. For more on the editing process, read about our own Edan Lepucki’s relationships with her copy editor and editor.
Portland-based Literary Arts is offering a total of $59,000 in Fellowships and Book Awards this year for Oregon-based writers and their published works. Past prize recipients have included Wild author Cheryl Strayed, as well as Patrick deWitt for his novel, The Sisters Brothers (which our own Mark O’Connell raved about).
Before he was Michael Chabon the novelist he was Michael Chabon the punk musician. Now recordings of his work with The Bats are available online as part of Mind Cure Records archival series.
David Risher founded the nonprofit Worldreader program in 2009 to distribute Kindles to children in the developing world. His aim was to increase literacy. Today the program has shared over 200,000 e-books with children in Ghana and Kenya, and Risher and his colleagues hope to allocate 10,000 reading devices by 2013.
Recommended Reading: Hannah Rose-Woods on totalitarianism in the wizarding world.