“Eleven years later, the Atlantic Monthly editor, Thomas Wentworth Higginson, made a similar request to an obscure, retiring poet named Emily Dickinson who had written a letter asking if her verses ‘breathed.’ Her response was much like Melville’s, if typically elliptical: ‘Could you believe me—without? I had no portrait, now, but am small, like the Wren, and my Hair is bold, like the Chestnut Bur—and my eyes, like the Sherry in the Glass, that the Guest leaves—Would this do just as well?'” The age-old problem: how writers deal with publicity.
The Republic of South Sudan has declared independence. Just three years ago, Dave Eggers published Out of Exile: Narratives from the Abducted and Displaced People of Sudan (Voice of Witness). The Guardian has an excerpt. A year later, Jamal Mahjoub foresaw the secessionist fervor south of Darfur.
New this week: Bright, Precious Days by Jay McInerney; Carousel Court by Joe McGinniss, Jr.; How I Became a North Korean by Krys Lee; Moonstone by Sjón; and Still Here by Lara Vapnyar. For more on these and other new titles, go read our Great Second-Half 2016 Book Preview.
Chris Rose laments the erosion of his former employer, New Orleans’s Times-Picayune, in the pages of Oxford American’s New South Journalism issue. Meanwhile, James Pogue discusses the art of fact-checking, which he says “has recently become a voguish topic among the New Yorker-reading and NPR-listening set.” This is of course to say nothing of the London Review of Books-reading set across the pond as well, much less the Onion-reading set located far and wide.