“One thing that could have made this story end differently is if the United States had a significant cultural policy. We have a trade policy – we protect industries we value – and we have an anti-trust policy designed to protect consumers. We have arts and humanities endowments that assist institutions. But our cultural policy is mostly to let culture fend for itself in the open market. It works great, but sometimes it doesn’t.” Salon looks at what Amazon, the Penguin-Random House merger, and the imposition of capitalism to culture might mean for literature at large.
Another hip-hip for long-form journalism. George Packer‘s piece in the New Yorker on Richard Holbrooke and the Af-Pak War reminds one that some things — complicated geopolitical matters, for example — must be explored at length. Subscribers can read the full article in the digital edition here. Short of that, read Packer’s assessment of the McChrystal Report on his blog.
On Monday, the Harry Ransom Center announced that it had acquired the complete archive of Gabriel García Márquez, which includes notebooks, photo albums and correspondence by the late Nobel laureate. For Márquez fans, the most important part of the collection may We’ll See Each Other in August, the author’s final, unfinished novel. Pair with: Charles Finch on Márquez and the modern novel.
“It’s true that when the world did not end when I predicted it would, at the end of last year, in my Netflix special Ragnarok, I realized a number of things, one of which was that I had not made a lot of professional or creative plans on the contingency that the world would continue. I just figured that it would end.” Greg Hunter talks with John Hodgman at The Rumpus.
The Millions Editor Max is interviewed at the National Book Critics Circle today. Among the topics discussed, “the motivation for launching The Millions seven years ago” and what we look for in book reviews.