With the help of Flora Coker, the Poetry Foundation created an animated reading of Jane Hirshfield’s “The Heat of Autumn.”
“The heat of autumn / is different from the heat of summer.”
Tuesday Links: Power, ReCaptcha, Junot Diaz
Experience "THE POWER OF BOOKS"You know those annoying puzzles where you type in the letters so the computer knows you're not a computer creating a fake account or sending spam? A group from Carnegie Mellon is using these "Captchas" to help digitize books. ReCaptcha is a special type of Captcha that displays words that book digitization software is having trouble deciphering. So, by letting the computer know you're not a computer, you can help some other computers digitize our books.I missed Junot Diaz's appearance at the Free Library of Philadelphia where he read from his new novel The Brief Wondrous Life of Oscar Wao, but Season Evans was there.
●
●
Literature With a Bang
What can you find at a gun show: firearms, NRA-lovers, and chapbooks? Patrick Wensink discovers the literary subculture of gun enthusiasts. Best chapbook titles: "Homebrew TNT," "Beat the Box: The Insider’s Guide to Beating the Lie Detector” and "Emergency War Surgery.”
●
●
Celtic Tiger’s Collapse
Gabriel O'Malley's "Letter From Dublin" for n+1 is an interesting primer on the current state of Ireland following the collapse of the Celtic Tiger.
The Plagiarist
"How I wish he’d stuck to being himself. Instead, he chose to be me." How it feels to have one's poetry plagiarized.
●
●
The Science of Poetry
Recommended Listening: David Naimon interviews Ursula K. Le Guin about her latest poetry collection, Late in the Day. Pair with Paul Morton’s Millions interview with the author.
●
●
You’ll Know Who Hunted Who
Recommended Reading: Three poems by Danez Smith.
●
●
The New VC
In Wayde Compton’s The Outer Harbour, a series of short stories take the reader from the present day to 2025, exploring a near-future Vancouver in which things grow steadily more surreal. As Emily Oppenheimer writes, it’s clearly a work of speculative fiction, yet the setting resembles our own world in uncanny ways. Sample quote: “Compton achieves the more troubling, yet ultimately more satisfying, goal of portraying the fantastical as something that is very much rooted in what we think we already know about ourselves and our world."
●
●