Forget apps, forget tweets, forgo the digital all together – how about magazines as performance art?
The Future
Fin
How would you feel if your novels all fell apart at the end? The writer Ann Bauer knows this feeling, and it’s painful — she says that her readers inevitably tell her the endings of her novels are all wrong. (You could also read our own Sonya Chung’s essay on literary endings.)
●
●
Walk, Don’t Run
Haruki Murakami retired his running shoes to walk to Kobe and rediscover his hometown. “Strictly speaking, it’s not my home town any more. I feel a deep sense of loss at this fact, as if the axis of my memories is faintly, but audibly, creaking within me. It’s a physical sensation,” he writes in an essay for Granta.
●
●
Mixer’s Sex, Violence, & Satire Contest Extended
Mixer Publishing wants more of your sex, violence, and satire. They’ve just extended their contest deadline–for fiction, poetry, and graphic stories–to the end of the month, which gives you a few more weeks to conjure and submit satirical lust and gore for a chance to win their $1,000 prize.
●
●
Someone You’re Not
We’re all frauds on the internet! Ann Leary at The Literary Hub takes a look at why online relationships tend to falter in the “real world.” Here are a couple of complementary friendship-related essays from The Millions.
Recommended Single Sentence Animation
You may have heard us mention Electric Literature’s Recommended Reading project recently. It’s a great new venture in which short stories are selected by other prominent writers — and it’s recently surpassed its fundraising goal. Now, they’ve even combined the project with one of their most beloved classics: Single Sentence Animation. Check out this little ditty to accompany Ben Marcus’s “Watching Mysteries With My Mother” and, of course, check out their Kickstarter page.
●
●
The Literary Identity
“Being someone who’s an outsider, there are so many ways in which the world acts on you or assigns narratives to you.” Literary Hub interviews author Azareen Van der Vliet Oloomi about literature, identity, and her new novel, Call Me Zebra. From our archives: Nur Nasreen Ibrahim‘s review of Call Me Zebra.