Forget apps, forget tweets, forgo the digital all together – how about magazines as performance art?
The Future
Writing Educates the Self
Alexandra Alter interviews National Book Award winner Ta-Nehisi Coates about the success of Between the World and Me. As he puts it, “The best part of writing is really to educate yourself. I don’t want to be anybody’s expert. I came in to learn.” Pair with our own Sonya Chung’s Millions piece on Coates’s epistolary essay.
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The Best Books of the Year (2013)
Amazon released their annual Best Books of the Year: Top 100 in Print list today (as well as a free and helpful Reader’s Guide), and numerous Millions favorites made the cut. Both George Saunders’s Tenth of December and Philipp Meyer’s The Son cracked the top 10. We reviewed both here and here, respectively. Other notable books boasting extensive Millions coverage include Meg Wolitzer’s The Interestings (review), George Packer’s The Unwinding (review), Eleanor Catton’s The Luminaries (review), Dave Eggers’s The Circle (review), James Salter’s All That Is (review), Karen Russell’s Vampires in the Lemon Grove (interview), Stuart Nadler’s Wise Men (review), Colum McCann’s TransAtlantic (review), and Colm Tóibín’s The Testament of Mary (review). Meanwhile, the top spot belongs to Donna Tartt’s The Goldfinch.
On Sexism in Literature
How do you feel about claims that men avoid reading women? Before you answer, consider this piece, which argues that sexism in the lit world is more complicated than it may appear. (For more, go check out our own piece on sexism on the internet, or else take a look at this Harvard Divinity School study on how sexism shapes responses to women’s writing.)
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Katherine Mansfield: Book Reviewer
In a short biographical piece for Open Letters Monthly, Sam Sacks writes about the book reviewing career of Katherine Mansfield and the ways in which it “helped her build the writing muscles needed” to finish her masterful short stories. While some critics might take umbrage at the way Sacks characterizes Mansfield as “turning out deadline copy like an ink-stained Fleet Street hack,” his look into her reviews culminates in the realization that “the point [of reviewing books] is not to be constructive but to construct something of lasting value in the little space and little time you’re granted. Like all writing, it should be a passion, not a pastime. The point is to dazzle.”
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NYRB’s Spring Reading
Daylight savings time = more daylight to read by, and as luck would have it New York Review Books is having their winter sale, so you have no excuse to be out of reading material. You can stock up on titles 50% off through the end of March / the beginning of actual Spring.
Don’t Quit Your Day Job
Writer Manjula Martin has been a stock girl, used bookseller, seamstress, waitress, retailer, Girl Friday- just to name a few of her day jobs. She questions the value of the artist’s day job in her VQR post. “Why are writers so eager to leave work behind?” she writes.
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Encountering an Enfant Terrible
It’s 1957. You’re Truman Capote. Your editor at The New Yorker, inspired in part by an excellent sense of humor, has asked you to write about an upcoming film (based on a novel by James Michener) that stars none other than Marlon Brando. How do you handle it?
What do Ian McEwan and Willie Nelson Have in Common?
The University of Texas is on a tear right now. Not only has its Ransom Center acquired Ian McEwan’s literary archive this week, but the nearby Dolph Briscoe Center for American History also just acquired the complete papers of Willie Nelson.
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