“What do women have to do with the internet? We submit that, at least in the eyes of media executives, women are the internet. Women, we mean the internet, are commanding a larger share of the traditional print market. The internet, we mean women, is less responsive to conventional advertising than to commenting, sharing, and other forms of social interaction. Women, we mean the internet, are putting men, we mean magazine editors, out of work. The internet, we mean women, never pays for its content — or for their drinks!” The editors at n + 1 take on the woman-baiting article.
The fine folks at Norton have made all of Patricia Highsmith's books available in eBook format, and to celebrate the move, they've crafted a website dedicated to the author's work. Choose Your Highsmith features a recommendation engine while will instantly pick a Highsmith book to match your selected criteria. There's also a great video in which Alison Bechdel, Robert Weil (Highsmith's editor at Norton), Joan Schenkar (Highsmith's biographer), and Terry Castle share their love for the author of the Mr. Ripley series.
Book lists galore: The Believer announces its annual book award winner, along with the always eclectic reader survey results; Forty of Nick Hornby's favorite books - he thinks you'll like at least a few; You may not be able to register for Zadie Smith's fiction seminar, but you can read the same books.Rushdie considers the art of the adaptation.And so it came to pass: the "pay what you want" eBook.A comic-book map of New York.Emily Bobrow digs Leanne Shapton's brains......where certain other reviewers the VQR could name might get hung up on her jacket photo.Whose tweets are these? I think I know.Tom McCarthy and the lovable lads of the International Necronautical Society are at it again.The Reagan diaries offer "scrupulous, concise, often remarkably good reading," says Open Letters Monthly.Anne Trubek at Good Magazine (and Oberlin College professor!) on "What is a Book?"Paul Maliszewski at Bookslut on "What is a Fake?"New features for the Kindle.We're digging the cover for Colson Whitehead's forthcoming novel, Sag Harbor.Wikipedia find of the week: Fakelore: "Fakelore is inauthentic, manufactured folklore presented as if it were genuinely traditional."Murakami's uneasy relationship with Japan: "He has been seen, and to some degree positioned himself, as a literary pariah in Japan, in part because of its tepid-to-negative critical reception of his work."Further reading: Check out the interesting Kindle pro and con in the comments of Max's Kindle/iPhone post this week; And check out the interesting discussion of the New Yorker's commitment (or lack thereof) to international literature in the comments of Garth's DFW post.And finally, a concrete step toward breaking our addiction to foreign oil.
For writers, and readers, who aren't making the annual pilgrimage to AWP, The Millions and Big Other join forces this weekend to offer a NYC alternative, A Reading and Conversation with Four Great Writers: Vijay Seshardi, Rachel B. Glaser, Alexandra Chasin, and (our very own) Sonya Chung. At Unnameable Books in Brooklyn on Saturday, starting at 5pm. Drinks will be served. Please Join Us!
On the London Review of Books blog, Kaya Genç makes the case that the similarities between the successful Turkish author Elif Şafak's work and Zadie Smith's books is a fact of Turkey's shifting cultural values rather than plagiarism: "Istanbul, the city Shafak returned to after writing her book in London and the setting for many of her earlier novels, resembles London more and more." For a bit of context, here's Lydia Kiesling's rundown of the initial scandal.
"Fantasy is a tool of the storyteller. It is a way of talking about things that are not, and cannot be, literally true. It is a way of making our metaphors concrete, and it shades into myth in one direction, allegory in another." Neil Gaiman reviews Kazuo Ishiguro's The Buried Giant for the New York Times Book Review and considers the power, and risks, of fantasy. Pair with Ishiguro's talk with The Telegraph about the 10 years since the publication of Never Let Me Go.