Stop, thief! It appears that George Eliot’s writing desk has been stolen from the Nuneaton Museum and Art Gallery in England.
The Desk on the Floss
Ishiguro Interviewed
“Maybe in the future I’ll feel compelled to write that kind of specific and current book, but right now I feel that my strength as a fiction writer is my ability to take a step back. I prefer to create a more metaphorical story that people can apply to a variety of situations, personal and political.” Electric Literature interviews Kazuo Ishiguro about his most recent novel, The Buried Giant, which our own Lydia Kiesling reviewed here.
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The Revolution Will Not Be E-Read
According to some new research conducted by ebook retailer Kobo, the digital reading revolution (if it still exists) is being powered by prolific readers who are primarily female and older than forty-five. The study asserts that women make up almost seventy-five percent of “active” e-readers, defined as those who spend more than thirty minutes per day reading. What does all of this mean? Who knows, but keep reading.
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Holiday OuLiPo
This holiday season, show a little restraint. Write a short short that uses each word only once, and email it to [email protected] by December 31 at midnight for your chance to win Electric Literature vol. 1 and be published on their blog, The Outlet. Further details available here.
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Money and Making Out Both
Even more Rossetti! Here is a hilarious reimagining of Rossetti’s “Jenny” by Mallory Ortberg over at The Toast. If it’s a belly laugh you’re looking for, then stick with Ortberg: try Dirtbag Jason and the Argonauts.
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Darcy the Ripper
As part of the Funny Women feature at The Rumpus, Melissa Darcey wonders: what would it be like if Lifetime made movies out of classic novels?
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Letters from the Frontier
Recommended Reading: The New Republic on Laura Ingalls Wilder’s new collection of letters and the end of the frontier. “Wilder was disillusioned by a country that no longer seemed to value the achievements of her generation.”
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Lux Fiat
“Language is more direct, open, unself-conscious, precise, and human. It doesn’t belong to me anymore but to the atmosphere, and this makes me happy.” Henri Cole on having his poetry projected onto buildings by Jenny Holzer.