A writer who calls himself the “Cal Ripken of turkey pardoning” reflects on the Presidential tradition. (If your curiosity extends to its history, you might like this rundown at Mental Floss.)
Sweet Mercy
From the Mixed Up Files of DFW
Newsweek takes an “infinitely fascinating quest” through David Foster Wallace’s just-released archive at University of Texas’ Harry Ransom Center.
The Other Side of Europe
Recommended Reading: On translating the literature of smaller European nations.
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Submissions Open for Dzanc’s Non-Fiction Award
Dzanc Books began the submissions period for its 2013-2014 Non-Fiction Award. The indie press is looking for memoir, political, historical, and biographical manuscripts. Millions contributor Nathan Deuel – whose book Friday Was the Bomb will be published by Dzanc in May — will select a winner from among a list of ten finalists, and the top manuscript will be published in the Fall of 2015. The deadline to enter is June 30, 2014.
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You Can’t Go Home Again (If You Understand What This Means)
The 113th anniversary of Thomas Wolfe’s birthday was last Thursday, but the author lives on in America’s cultural memory thanks to the title of his 1940 novel, You Can’t Go Home Again. Unfortunately, the titular phrase seems to be taken at face value by many people these days, and that can lead to some groan-worthy invocations. A newly-minted Tumblr blog illustrates the point.
Cost of the Memoir
“My parents really don’t like that book. It embarrassed and saddened them and they didn’t understand why I would air my dirty laundry in public. They’ve had some time to sit with it and now they’re more supportive of what I do as a memoirist. I think they see the value of telling your story now. It’s still a tender subject and I wouldn’t say that they exactly love the book now, but at least it’s an open dialogue.” Jillian Lauren speaks on the cost of telling one’s truth publicly and her memoir Some Girls: My Life in a Harem. Pair with a piece by our own Michael Bourne on the art and business of memoirs.
On the New New Orleanians
Why, yes, I will link to anything Nathaniel Rich writes about New Orleans. You should appreciate the consistency.
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Ishiguro’s 10-year Break
“Someone asked me what I was doing in my 10‑year break,” says Kazuo Ishiguro with a boyish chuckle. “And I thought: yes, there has been a 10-year break since my last novel, but I personally haven’t been taking a 10‑year break!” The Telegraph talks with Ishiguro about his new novel and the first he’s published since Never Let Me Go, The Buried Giant.