A writer who calls himself the “Cal Ripken of turkey pardoning” reflects on the Presidential tradition. (If your curiosity extends to its history, you might like this rundown at Mental Floss.)
Sweet Mercy
Pamela or Plath?
I’m disappointed that I was only able to get 8/12 correct on the Guardian’s “Who’s the Poet: Pamela Anderson or Sylvia Plath” quiz, but I’m consoling myself with the fact that the 50% is the average.
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Authentic Explanations
For Public Books, Matthew Clair considers authoritative black knowledge in intellectual practices and “the logic of racial authenticity,” which “stipulates both that black intellectuals have a particular responsibility to represent, in both senses of that word, ‘their’ people, and that, as racial insiders, they are uniquely capable of doing so.”
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“Every writer needs an editor”
“Every writer needs an editor, and anyone who says he doesn’t has a fool for a muse.” The New York Times interviews journalists on the importance of editors, and it’s well worth the short read. Pair with our own Edan Lepucki‘s conversation with her editor.
Bayside High as Playboy Mansion
Parental Guidance Suggested: The 11 Most Scandalous Revelations from Dustin Diamond’s tell-all Saved By The Bell memoir. (I feel kind of ashamed of myself for even posting this, but such is life on the Internet.)
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For the Sake of Cohesion
“Setting is often the last piece of the jigsaw. I start somewhere else—with a kind of a premise, a set of relationships, a theme—and I often have a long period when I can’t figure out where the story should be put down. I find myself going location hunting. Not just for a time and place, but also for a genre, if you like.” Kazuo Ishiguro on the Hazlitt podcast. For more things Ishiguro, here is our own Lydia Kiesling’s review of Ishiguro’s latest novel, The Buried Giant.
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Poetry Haters
Ben Lerner and Cody Delistraty discuss why so many people (rightfully) hate poetry. Pair with this Millions piece on poetry for people who hate poetry.
Reviewing Reviews
Our own Emily St. John Mandel guest judged Electric Literature’s Critical Hit Awards this month. She discussed what she looks for in a book review in an interview with Brian Hurley. “I prefer reviews that go beyond talking about literature, so that the book under review is considered in the context of the surrounding world,” she said. The winners are Andrew Winer’s review of The Kraus Project by Jonathan Franzen, Rachel Monroe’s review of The Contested Murder of Latasha Harlins by Brenda Stevenson, and our own review of Karen Green’s Bough Down by Suzanne Scanlon.
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