After learning that the good folks at BAM will be roasting Gary Shteyngart, the author’s inquisitive dachshund, Felix, wrote a plaintive letter to the organizers. It’s worth pointing out here that we set up Felix on a doggy blind date a few weeks ago.
A week after it wins the Booker, Hilary Mantel’s Wolf Hall is now on American shelves. Jonathan Lethem’s newest Chronic City comes out today. Dave Eggers’ novelization of a movie based on a children’s book, Wild Things is out in standard and special fur-covered editions. A Lydia Davis-translated French “masterpiece” is out today from NYRB Classics.
“I Didn’t Tell Facebook I’m Engaged, So Why Is It Asking About My Fiancé?” or, FB continues to make people feel a little awkward.
Vol. 1 Brooklyn‘s Tobias Carroll presents a roundup of the best new literature blurring the lines between writing and the visual arts, including works that made cameos in Paul Auster‘s Leviathan and Valeria Luiselli’s The Story of My Teeth. We reviewed the latter novel a year ago here.
“One of the advantages to being a novelist is removing oneself from the chatter of the fray and trying to get a read and a historical context on what’s happening in one’s own time.” The Guardian interviews Rachel Kushner about women’s prisons, remorse, and her new novel, The Mars Room. Pair with: our review calls Kushner’s latest a “brutal, unforgiving, and often grimly funny tour de force of wasted lives.”
In the mid-90s, David Foster Wallace published a scathing review of a John Updike novel, Toward the End of Time, that became a key text for critics of the celebrated author. Now, at The New Republic, David Baddiel argues that Updike gets a bad rap, while Jeffrey Meyers backs up DFW’s position. It might also be a good time to read James Santel’s review of Updike’s Collected Stories.