There’s an app called Shatoetry and, yes, it was created by William Shatner. Its purpose? Why, as “a sort of magnetic poetry assembler where every word is read in the offbeat actor’s distinctive tone,” of course.
Shatoetry
Novels for the Ebolapocalypse
“If you want to be grateful for something today, be grateful for that: Ebola doesn’t fly,” according to a 2012 NYT op-ed. (Ok, so that’s not true, but you’re still probably safe.) If you (like me) have been obsessively re-watching that infected American patient walk into his hospital in Atlanta, I’d like to suggest you (I) first relax, and then indulge your (my) Ebolapocalypse fears elsewhere, e.g., a roundup of the 14 best pandemic novels according to Slate, 11 from io9, 22 from Bookshop, or all 1,000+ at Goodreads.
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The Book of the Dead
“Reading the Grateful Dead is not a history of the band; it is a study of the landscape they and their fans created, as surveyed from a caravan that crisscrossed the country, Europe, and even Egypt for roughly 2,300 shows over 30 years.” Dead Head Buzz Poole takes a look at “Grateful Dead studies.” (The song that turned him, it turns out, was ‘Scarlet Begonias.’)
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Reading for the Worse
Leslie Jamison and Francine Prose discuss the ways reading can affect your life for the worse, with potential results ranging from murder to being bad at sports.
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Reading Rainbow returns!
LeVar Burton is relaunching Reading Rainbow! Though in a new form: the show that aired on PBS for 26 years will be available as an iPad app, which you can preview at engadget.
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Egyptian Writers on the “Unfinished Revolution”
In the run-up to the Egyptian elections, writers and booksellers discuss the military clampdown following Mubarak’s fall.
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Nice Nonfiction
We’ve already decided that it’s okay for fictional characters to be unlikable, but what about nonfiction writers? At the VQR blog, Jennifer Niesslein interviews essayists on whether their success is based on how amiable they are. “I think it’s ridiculous to expect to like someone who wrote a book you love, but the increasing visibility of writers on social media—who are expected to be the ambassadors of their books—amps up the pressure to be well-liked,” Cheryl Strayed said.