Amazon is putting out seven never before published works from Kurt Vonnegut as a serial ebook called Sucker’s Portfolio.
In the introduction to her interview with the author, the inimitable Parul Sehgal described Chimamanda Ngozi Adichie’s latest novel, Americanah, as “a thrilling and risky piece of writing that takes on taboos, shatters pieties, and combines forthright prose, subversive humor, and a ripping good story.” If that doesn’t sell you, I don’t know what will.
“But as anyone with the least knowledge of literature and writing—maybe art in general—will know, concealing what is shameful to you will never lead to anything of value,” Karl Ove Knausgaard said in an interview with Jesse Barron for The Paris Review. They discuss memory, personal crisis, artistic shame, and how he would burn My Struggle if there were less copies. Make sure to check out our review.
“Writers are outsiders, and usually not by their own choosing. It’s why they’re writers. If they didn’t feel alienated from human experience, they wouldn’t feel so drawn to writing to make sense of their lives. It’s not the outsider’s facility for language that makes her a writer — many a student body president or homecoming queen can turn a phrase — but her ability to howl at the moon, on the page.” Karen Karbo writes for Powell’s Books’s blog about how much publishing has changed in the last 20-some years, but she also has a lot of great words about why people would want to deal with writing and publishing in the first place. Pair her smart essay with our own Nick Ripatrazone‘s piece “Practical Art: On Teaching the Business of Creative Writing.”