“Contemporary criticism is positively crowded with first-person pronouns, micro-doses of memoir, brief hits of biography. Critics don’t simply wrestle with their assigned cultural object; they wrestle with themselves, as well. Recent examples suggest a spectrum, from reviews that harmlessly kick off with a personal anecdote, to hybrid pieces that blend literary criticism and longform memoir.” On why critics get personal in their essays.
Villanelle Bot, a Twitter bot that composes poems in villanelle form, is publishing the automated poetry on their blog. The bot uses Twitter posts from random people, then stitches together all lines that end in certain words to form a full poem. You could also check out our piece on the best of literary Twitter.
The Asian American Literary Review is releasing their Special Issue Commemorating the 10th Anniversary of September 11 with a launch party this Friday at 7pm in downtown New York at Alwan for the Arts. The 350-page(!) issue has interviews, essays, and first person testimony on 9/11 by South/Asian and Arab American contributors — including Kazim Ali, Amitava Kumar, and Khin Mai Aung from AALDEF (the Asian American Legal Defense and Education Fund) — several of whom should be at the launch.
If you find cat hair in a book you checked out of the Novorossiysk Library, don’t worry. It belongs to the newest librarian. Kuzya the cat started off as a pet at the Russian library but was promoted after patronage increased due to his presence. The new library assistant even wears a bow tie.
Remember the Rudyard Kipling poem where he says the British government should be scalped? We don’t either. However, a forthcoming book of lost Kipling poems, 100 Poems: Old and New, shows his anti-establishment side. An excerpt from the aforementioned poem, “Laudatores Actoris Empti:” “Come, let us lightly scalp the brood / Of ‘educated middle classes’ / Who, much perplexed with ‘views’ and ‘goals’ / Now govern London – and our souls”