Writing for the BBC, Steve Rosenberg looks at the lasting impact and significance of Alexander Solzhenitsyn’s One Day in the Life of Ivan Denisovich, which was published fifty years ago this month.
“One story shook the Soviet Union.”
The Irish Console The Irish
Over at Vol. 1 Brooklyn, Nick Curley prescribes “five passages from great Irish writers” as a means of coping with Notre Dame’s recent loss to Alabama in the college football BCS National Championship Game.
He’s Got Game. Literary Game.
I could tease and build up Allison Hill‘s article on “Literary Seductions“, or I could just let the first line entice you on its own: “I once slept with a man because he gave me a copy of Murakami’s The Wind-Up Bird Chronicle.”
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Necessary Nabokov
Christopher Michel discusses The Secret History of Vladimir Nabokov – a book that challenges the long-held consensus that Nabokov was merely an aesthete.
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The Caged Bird Raps
Maya Angelou is a rapper now. The late writer’s poems have been layered with hip-hop beats for a new album, Caged Bird Songs. The album uses previous recordings of Angelou and a few made last year. “She saw (hip-hop) as this generation’s way of speaking and conveying a message,” her grandson Colin A. Johnson said. Pair with: Our tribute to Angelou.
The Other Image
In an author photo investigation, Matthew Shear and Sven Birkerts discuss standard poses and the anomalous picture of Birkerts that appears in The Other Walk. Pair with this Millions essay about the perils of designing the cover of Lolita.
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It’s Not TV. It’s F. Scott Fitzgerald.
Deadline reports that Hunger Games screenwriter Billy Ray has plans to adapt F. Scott Fitzgerald’s final, unfinished novel, The Love of the Last Tycoon, into a series for HBO.
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Seriously, What’s With Those Geese?
Here’s a Sunday poem by Elisa Gabbert. Maybe its first line will entice you: “What’s with these geese always wandering / around by the museum?”
Social Media Existence Precedes Essence
Over at McSweeney’s, Sarah Solomon has undertaken the Sisyphean task of bringing existentialism into the twenty-first century. In a series of brief vignettes, Solomon gives the oft-maligned Millennial generation the existentialist makeover they never asked for. Continue your study of the absolute indifference of the universe with this essay by Zach Pontz on The Meursault Investigation, a new novel by Algerian journalist Kamel Daoud that imagines Albert Camus’s famous The Stranger from the perspective of the unnamed Arab antagonists.
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