“Tracing the journey of a mediocre actor and Holocaust survivor ‘touched by some mysterious higher design’ as he forges and impersonates his way through the war and then back to the city of his birth, the story is part Samuel Beckett and part Isaac Bashevis Singer, with a sudden final bolt of O. Henry. It has the flavour of a morality tale, but what’s most fascinating to me is how difficult it is to derive a moral from it, or rather how easy it is to derive more than one and how openly they stand in conflict with each other.” Kevin Brockmeier extols the fiction of Leandro Sarmatz.
The Best of Young Brazil
James Salter: Swimming Pool Salesman
Just in time for Labor Day, the folks at Open Road Media have assembled their annual video of writers talking about the day jobs they’ve left behind. Did you know James Salter sold swimming pools? Or that Edna O’Brien used to weigh babies in a chemist’s shop? This year’s installment can be found here; last year’s over here.
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Get Your Poetry On
Danielle Pafunda celebrates her daylong reign over the Academy of American Poets’ Twitter feed with a cento contest: She tweets the lines, you compose the poem, and three winners take home a selection of signed books written by these contest judges.
“In 1941, sadness is at its peak”
Here’s a novel idea: using literature to map out the emotions of a time period. (1940s? Sad. 1920s? Happy. 2010s? …Don’t ask.)
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That’s A Wrap, Says Alice Munro
Alice Munro announced her retirement from writing this week. “Perhaps, when you’re my age,” she told a National Post reporter, “you don’t wish to be alone as much as a writer has to be.” Previously the Canadian author announced her retirement in 2006, but that didn’t stop her from publishing two more books – including her latest story collection, Dear Life (Millions review). The uninitiated can get a primer on her entire oeuvre by checking out our comprehensive Beginner’s Guide to Alice Munro. See also: “Can Writers Retire? Let Us Count the Ways”
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Steal This Record
Elvis Costello is calling the hefty price tag on his new box set “either a misprint or a satire” and advising fans to buy a Louis Armstrong box set or to wait until the discs included in his own box set are availble at a cheaper price “assuming that you have not already obtained them by more unconventional means.”
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Web 3.0: How Do We Pay for This?
The Present Group provides an interactive look at “how artists, cultural producers, and content providers have experimented with funding and support models during the Internet Age.” The scrolling timeline spans from 1998 through 2016, and it outlines the major innovations (and failures) as websites tried monetizing.