“Tracing the journey of a mediocre actor and Holocaust survivor ‘touched by some mysterious higher design’ as he forges and impersonates his way through the war and then back to the city of his birth, the story is part Samuel Beckett and part Isaac Bashevis Singer, with a sudden final bolt of O. Henry. It has the flavour of a morality tale, but what’s most fascinating to me is how difficult it is to derive a moral from it, or rather how easy it is to derive more than one and how openly they stand in conflict with each other.” Kevin Brockmeier extols the fiction of Leandro Sarmatz.
Whether you admire the work of e.e. cummings or think of him mainly as the inspiration for your high school’s worst poet, you’ll enjoy this excerpt of Susan Cheever’s new biography, which touches on the poet’s later years and his relationship with Cheever’s father. The two (contrasting) money quotes here are Malcolm Cowley’s claim that cummings was “the most brilliant monologuist I have known” and this exasperated question posed by Helen Vendler: “What is wrong with a man who writes this?
Qiu Miaojin was a Taiwanese novelist and lesbian activist, and her short life has had a profound impact on queer literature since her suicide in 1995. Recently Bonnie Huie received a PEN translation grant so she could bring Miaojin’s best-known work, Notes of a Crocodile, to an English-speaking audience. You can read an excerpt of Huie’s translation on the Asian American Writers’ Workshop online publishing platform, The Margins.