Read a lot of Granta? Want to hang out with Brazilians? The magazine is hosting a number of events to celebrate its cool new collection.
Obrigada, Senhora
Draw Hard
Harold and the Purple Crayon is a classic children’s book. Is it also a writing guide? In an essay for Bookslut, Mairead Case explains why she re-reads it whenever she’s finishing a project: the main character’s need to create a room for himself is a corollary to the writing process.
Escape to the Seaside
“You have turned to stone. A hairline crack runs along your entire length from crown to toe. Your feet have turned to liquid, and you are melting onto the kitchen floor.” Are you living in an Elena Ferrante novel? Li Sian Goh at The Toast has compiled a helpful list of ways to tell whether or not you might be a character in Ferrante’s final Neapolitan novel, The Story of the Lost Child.
●
●
Inspirational Infographic
This week in book-related infographics: "Inspirational Quotes from Literature" by authors ranging from Leo Tolstoy to Ernest Hemingway to J.K. Rowling, all handily grouped by theme.
●
●
Rhyme Time
Now this is a headline for the ages: “‘Self-Harmers are Not Just Depressives’: Writing a Book About Cutters Who Cook.” (Incidentally, the book in question is Jessica Soffer’s Tomorrow There Will Be Apricots, which we covered last week.)
●
●
Irony and Equanimity
Recommended Reading: Critic James Wood for the New Yorker on one of the most significant literary heroes of the Holocaust, Primo Levi. The three-volume Complete Works of Primo Levi is out this week.
●
●
Shaking Down Cage the Elephant
Cage the Elephant is considered one of the best young indie rock acts today, but the band got its start in the burgeoning music scene in Bowling Green, Kentucky. Sometime Millions contributor Craig Fehrman wrote a Kindle Single on Cage the Elephant and its influential hometown, Home Grown: Cage the Elephant and the Making of a Modern Music Scene. You can read his past Millions essays on the history of literary Time covers, Lewis Hyde's understanding of intellectual property, and an ethnography of readers at Borders.
●
●