Recommended Reading: “Nudists” by David James Poissant.
Naked Reading
The Common’s first year in print!
The Common will be celebrating its first year of publication later this month at NYU’s Carter Journalism institute. The celebrations will include a reading from Stephen O’Connor and a performance by the Dog House Band, aka that literary rock group consisting of Sven Birkerts, James Wood, and other writerly musicians.
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In the Middle
A lot is written about artists just starting their careers, and about those artists with a lifetime of work to look back over, but in a piece for The Enemy Barry Schwabasky considers the difficulty of being somewhere in the middle of an artistic career. After all, “most artists do, for better or worse, live through what’s come to be known as their midcareer. It’s just that they don’t often do so with ease. … The middle of the journey sometimes seems to be all about losing the way.”
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John Jeremiah Sullivan on Essays
December 15th. New York City. Mark your calendars. John Jeremiah Sullivan and Wells Tower discuss “the art of the essay in light of Sullivan’s new book, Pulphead.”
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Thursday Links
The Rake is at it again, taking The Believer down a peg.Adventures in niche publishing: A new Paris Review?Simon at Bloggasm considers Harriet Klausner, the widely reviled #1 reviewer at Amazon.And, finally, some spot-on humor at the New Yorker this week.
Let’s Not Get Started on the Lightbulb
“Miguel is pulling an all-nighter at the library to finish a history paper. If Miguel’s computer is operating on Microsoft Word 2003, how many useful suggestions does Clippy have between the hours of 8 pm and 3 am?” Introducing Microsoft Word Problems.
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Brexit Blues
Recommended Reading: Jen Calleja offers a reading list to soothe your Brexit blues at The Quietus. “Like many people, I went through the five stages of Brexit – ‘oh well’, manic laughter, crying, rage, existential despair – in one day, and in the days that followed felt numb, nauseous, in doubt. But now it’s time to climb out of the mourning pit and work even harder than before at holding on to a European identity and keeping channels open to personal and literary dialogues with our European neighbours.”
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