Naked Reading

The New York Times best-selling author Malcolm Gladwell recognizes that printed books can be beautiful, covetable objects that enhance the experience of reading. He hired Brian Rea, a frequent Times Magazine illustrator, and Paul Sahre, a designer who also frequently contributes to the magazine, to collaborate on the visuals for a new box set, Malcolm Gladwell: Collected.

Poet turned playwright Sarah Ruhl's latest stage production, Dear Elizabeth, is based on the correspondence between Elizabeth Bishop and Robert Lowell. She recently spoke to Ruth Graham about her inspiration, and whether other writers' letters could be adapted for the stage as well. (As an aside: you really should read The Clean House if you haven't already.)

“This is minor, but I noticed a few typos. For instance, at various points on pages 144 through 148 and also on page 202, you wrote, ‘All wokr and no play makes Jack a dull boy.’ And on page 308, it’s ‘All work and no play makes Jack a dull Jack.’ If that one’s intentional, it provides a nice break from the preceding 307 pages, and the levity is a nice contrast to the monotony.” Notes on a Jack Torrance manuscript.

Lydia Davis is the recipient of the 2016 Hadada Award from The Paris Review, a lifetime-achievement award which is presented each year to “a distinguished member of the writing community who has made a strong and unique contribution to literature.” We brought you a bit on Davis just yesterday.

Some interesting facts about Geoff Dyer emerge from Bryan Appleyard's profile of the essayist. Namely: shoes are banned in the Dyer abode; the man enjoys playing tennis; and he's never had a threesome.