In the wake of Hurricane Sandy, America needs George Saunders. Fortunately, the editors at The New Yorker’s Shouts and Murmurs blog appear to understand this.
Mutual Self-Interest in Bad Decline
Tuesday New Release Day: Baker; Sauma; Shawn; Moore; Moore
Out this week: Our Little Racket by Anjelica Baker; Flesh and Bone and Water by Luiza Sauma; Night Thoughts by Wallace Shawn; The Supremes Sing the Happy Heartache Blues by Edward Kelsey Moore; and New Collected Poems by Marianne Moore. For more on these and other new titles, go read our most recent book preview.
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Beware of the Gatekeepers
“The problem, however, lies in the fact that, whenever these labels are internalized by those in positions of power, they flatten a writer’s experiences. They shrink someone to just a sliver of his or her identity.” On the limited opportunities for writers of color.
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Sudoku Comics
Sudoku getting too easy, you say? Try making (or, rather, writing) one instead, like this nine-paneled comic that works across, down, or on a diagonal.
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Sink Your Teeth Into These Reads
Carolyn Kellogg rounded up a great list of “Terrible Beach Reads,” and it serves as a nice companion to Rachel Meier’s list of “Burnt-out Summer Reads.” However, if you’re looking for a few more titles that’ll keep you out of the water, allow me to suggest my all-time favorite shark-centric books: Susan Casey’s The Devil’s Teeth, Michael Capuzzo’s Close to Shore, and Doug Stanton’s In Harm’s Way.
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R.I.P J.D. Salinger
Catcher in the Rye author J.D. Salinger has died at 91. Update: The New Yorker has linked to twelve of Salinger’s stories available to subscribers online.
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These narrators are conspicuously powerless
Over at Prospect, Leo Benedictus takes a look into the subversive “hindered narrators” in The Curious Incident of the Dog in the Night Time, Room, and Pigeon English.
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Old Favorites
Looking for more thoughts on My Life in Middlemarch to supplement today’s interview? At Salon, Laura Miller reviews Rebecca Mead’s book, which she calls a “moving demonstration” of Middlemarch’s power. (You could also read Adelle Waldman’s Year in Reading piece about the novel.)
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