Anna Sun profiles the work of Mo Yan, the latest winner of the Nobel Prize for literature. While Sun acknowledges Yan’s popularity and prolific output, she also notes that what the Nobel committee referred to as “hallucinatory prose” is more often than not “repetitive, predictable, coarse, and mostly devoid of aesthetic value.” Indeed, Sun writes, “the English translations of Mo Yan’s novels … are in fact superior to the original.” [Ed. Note: It appears the Kenyon Review link was briefly not working; this Google cache may work better — h/t Dan Farrely]
Flushed with cash after the runaway success of Thomas Piketty’s Capital in the Twenty-First Century, the Harvard University Press has decided to offer a 20% discount off two dozen works on capitalism and its discontents. Get to it while the gettin’s good.
When you think of Shakespeare’s plays, you probably think of the Globe Theatre. Yet for more than twenty years before the Globe was opened, the Curtain Theatre was the first home to such plays as Romeo and Juliet and Henry V. Unfortunately the place was closed and disassembled in the 17th century, and the location was presumed lost. Fast forward 400 years, however, and a team of East London excavators have finally uncovered a few of its sections.