Anna Sun profiles the work of Mo Yan, the latest winner of the Nobel Prize for literature. While Sun acknowledges Yan’s popularity and prolific output, she also notes that what the Nobel committee referred to as “hallucinatory prose” is more often than not “repetitive, predictable, coarse, and mostly devoid of aesthetic value.” Indeed, Sun writes, “the English translations of Mo Yan’s novels … are in fact superior to the original.” [Ed. Note: It appears the Kenyon Review link was briefly not working; this Google cache may work better — h/t Dan Farrely]
Adam Mansbach's Go The F**k to Sleep took the children's book market -- or at least the number of adults talking about the children's book market -- to a whole new level last summer. Then, weeks later, Samuel L. Jackson read parts of the story for its book trailer, and people freaked out all over again. Well, prepare yourselves yet again, folks. Now somebody's remixed that recording into the most badass (NSFW) lullaby of all time.
Out this week: The Laughing Monsters by Denis Johnson; Let Me Be Frank With You by Richard Ford; Mermaids in Paradise by Lydia Millet; Ugly Girls by Lindsay Hunter; Twilight of the Eastern Gods by Ismail Kadare; A Map of Betrayal by Ha Jin; Something Rich and Strange by Ron Rash; and Shark by Will Self. For more on these and other new titles, check out our Great Second-half 2014 Book Preview.
French-Canadian writers are in an odd place when it comes to Canadian literature. By the official definition of CanLit, they’re part of the canon, yet because of the Quebecois language barrier, they maintain a certain distance from the literature of English Canada. At Page-Turner, Pasha Malla writes about their odd identity. You could also read Andrew Saikali on Canadian novellas.
The term “regionalism” doesn’t have quite the lustre for poets that it does for fiction writers, yet poets undeniably reflect their roots in their work. In an essay, Sandra Beasley makes the case for embracing regionalism in the poetry world, citing Claudia Emerson as a model for profitably committing yourself to one place.