Aimee Bender, Year in Reading alum and author of, most recently, The Color Master, writes for The New York Times about the structural genius of Goodnight Moon: “[The story] does two things right away: It sets up a world and then it subverts its own rules even as it follows them.”
In his look ahead to interesting books coming out in 2011, Scott Esposito includes the book I co-edited, The Late American Novel: Writers on the Future of Books, which features pieces by Jonathan Lethem, Rivka Galchen, Benjamin Kunkel, and several other great writers and is due out in March.
“Adrianne [Lobel] suspects that there’s another dimension to the series’s sustained popularity. Frog and Toad are ‘of the same sex, and they love each other,’ she told me. ‘It was quite ahead of its time in that respect.’ In 1974, four years after the first book in the series was published, [Arnold] Lobel came out to his family as gay.” On love and Arnold Lobel’s Frog and Toad.