At Salon, Andrew O’Hehir dubs Lincoln “a tremendous accomplishment.” (It probably doesn’t hurt that its director is Steven Spielberg.)
The lineup for the 2013 PEN World Voices Festival of International Literature has been announced. The festival will commence on April 29th with a reading “about the notion of bravery” from three writers – including Millions contributor A. Igoni Barrett.
“I think the key to social media for authors is remembering this: its main purpose is really to show that you are a real human being who lives in this world.” Year in Reading alums (respectively) Celeste Ng, Alexander Chee, Roxane Gay, and Adam M. Grant talk to LitHub about how to be a writer on the internet.
The office novel, by nature, is a tricky construct, if only because your average white-collar job doesn’t offer much in the way of fiction-worthy moments. That said, recent books like Then We Came to the End by Joshua Ferris demonstrate how fruitful it can be to wring drama out of the rat race. In the latest issue of Dissent, Cubed author Nikil Saval delves into the contradictions of office fiction. FYI, Saval wrote a Year in Reading entry for us.
Over at VICE, Karan Mahajan, Tanwi Nandini Islam, and Jenny Zhang talked about the new generation of Asian American writers. “There isn’t really a canon, which means if you are Asian American and writing, you’re automatically adding to it. Once I realized this, I became extremely protective of my writing,” said Zhang. Pair with this Millions interview with Mahajan.