“I was dropping out of college and had begun a novel and returned to New York. A bookstore in Manhattan announced a rare reading and signing by Anthony Burgess, a primary hero of mine at the time, for his autodidact’s erudition and braggadocio, and for how he’d gentrified a number of outre genres just by picking them up and mingling them with his erudition and braggadocio.” At the LARB, Jonathan Lethem remembers a formative reading by the author.
King Braggadocio
Clear Thesis. Strong Analysis. Can’t Lose.
It's unclear how this Tumblr managed to elude us for so long, but it's certainly making up for lost time. Ladies and gentlemen, I give you, Academic Coach Taylor Has Some Advice For You.
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Talking Truth to Power
“Steinem welcomed them all—the rich, the celebrities, the climbers for the cause. She was a radical but, consciously, never an outsider. She enjoyed the world where she plied her trade as an entrepreneur of social change, and, with her mouth spray at hand, she had long since mastered the subterfuges of talking truth to power. You could call it consciousness-raising—on a wider canvas.” The New Yorker profiles Gloria Steinem in anticipation of her latest release, My Life on the Road.
Kanye & The Frankfurt School
Alex Ross writes for The New Yorker about Walter Benjamin, Theodor Adorno, and modern pop culture. Jay-Z and Kanye come up, as does Jonathan Franzen's The Corrections (which we've written about here and here) and Virginia Woolf's The Waves.
DOJ, Sixteen US States Sue Over E-Book Pricing
The Justice Department is suing Apple and five major US publishers for colluding to inflate e-book prices. Following the DOJ's lead, 16 states have filed similar lawsuits.
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“Global” or “World Literature” vs. Internationalism
The success of international authors like Orhan Pamuk, Ma Jian, Haruki Murakami, and Tash Aw – each capable of “transcend[ing] their homelands and emerg[ing] into a planetary system where there work can acquire a universal relevance” – has caught the attention of n+1’s editors. In a lengthy piece from their last issue, they suggest that we should be less concerned with such examples of “World” or “Global Literature,” and instead focused on more diverse, politically-charged and unique international works. “Global Lit tends to accept as given the tastes of an international middlebrow audience; internationalism, by contrast, seeks to create the taste by which it is to be enjoyed,” they argue.
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All Places Are Temporary
Is he a vandal? Is he a post-Situationist? Maybe the text-art Banksy? Who knows. One thing is for sure – Scottish poet Robert Montgomery is taking his poetry to the streets.