“I was dropping out of college and had begun a novel and returned to New York. A bookstore in Manhattan announced a rare reading and signing by Anthony Burgess, a primary hero of mine at the time, for his autodidact’s erudition and braggadocio, and for how he’d gentrified a number of outre genres just by picking them up and mingling them with his erudition and braggadocio.” At the LARB, Jonathan Lethem remembers a formative reading by the author.
Brett Ortler, a blogger at Bark, chronicles his effort to figure out why indie publisher, BlazeVOX, wants to charge him $250 to publish his book of poems. Follow-up posts reveal, first, that BlazeVOX has rescinded the pay-to-play scheme, and, second, that it now plans to go out of business by the end of the year.
At The Guardian, the intriguing case of historian Orlando Figes and his wife’s savage Amazon reviews of her husband’s rivals’ books. The case begs the question: should Amazon allow anonymous reviews?
There are a lot of writers who work in advertising, and it’s starting to have an impact. People are more likely to love brands if there is a story involved, according to a new study. “We’ve known for a long time there is no ‘buy’ button in the brain. But these results show there’s a ‘story’ button,” neuroscientist Paul Zak says. Pair with: Our essay on working at a creative agency after getting your MFA.