"No matter who we’re horny to blame for our great national nightmare today, the Washington Post is offering a solution." The Awl reports that The Washington Post is offering free digital subscriptions for students, the military, and government employers.
When Adrienne Raphel got to the Iowa Writers’ Workshop, she found a group of writers as addicted to fonts as she was. Over time, a “font subculture” developed among the poets, who settled on particular fonts as their signatures, at least for a while. At The Paris Review Daily, she writes about her typographic bent. Pair with our own Garth Risk Hallberg on the use of fonts in publishing.
Thanks to Jane Friedman, the Virginia Quarterly Review is really blossoming of late when it comes to social media and increased web presence. Case in point: these once-a-week poem posters on their Facebook page. Extra case in point: the sort-of-not-so-secret Tumblr they’re working on!
You may have heard that X-Files star David Duchovny published a novel last week. The book, which developed out of an idea Duchovny had in college, centers on a teenage cow named Elsie who befriends a Yiddish-speaking pig. At Salon, Anna Silman interviews the actor/author, who talks about his book's allegorical nature and his rumored beef with Vancouver.
"In the silence, there is solitude. In the solitude, there is silence. This is the whole point of technology. It creates an appetite for immortality on the one hand. It threatens universal extinction on the other. Technology is lust removed from nature." Don DeLillo, author of White Noise, "reviews" Taylor Swift's white noise for The Atlantic.
"[H]e is a true, unrepentant nerd, who has only ever been looking for his people." Buzzfeed's Doree Shafrir talks with Michael Chabon (and his wife, the writer Ayelet Waldman) about being a good literary citizen, his life in letters, and his new "fictional memoir" Moonglow.