Over at Full Stop, Sean Minogue argues that social media can have a positive influence on a writer’s creative development. He mentions Twitter extraordinaire Teju Cole, who thinks his involvement in online discussions “comes from the non-American part of me which is saying that novelists in every other country, with the exception of the American or the Anglo-American sphere, actually consider it part of their work to engage.” Pair with our piece on the best of literary Twitter.
What’s it like being a young journalist in a turbulent time for the business? Some of my fellow Medill grads and I have created a blog to discuss that and other pressing matters. If you’re a journalism junkie like I am, you’ll enjoy The Newshole. Check it out.Longtime Millions contributor Emre has started a blog called Live from Gybria, where he will chronicle his travels, his life as a Turkish expat, and his studies at my illustrious alma mater, the Medill School of Journalism. Luckily, Emre will still be posting here, too. In fact, we’ll be putting up some more of his reading journals here in the next few days.And congrats to Anne Fernald (proprietor of the litblog Fernham) whose book Virginia Woolf: Feminism and the Reader has just been published.
Olivia Laing has written an entire book about male writers and their relationships with alcohol, The Trip to Echo Spring, but in a piece for The Guardian she returns to the subject of writers and drink in order to respond to the question, what about women writers? Were any of them alcoholics? “Yes,” she writes, “of course.” She goes on to discuss the lives and work of Jean Rhys, Marguerite Duras, Elizabeth Bishop and Patricia Highsmith, their reasons for drinking and their experiences in a society much more willing to accept the struggles of men than of women. For more from Laing, be sure to check out her Year in Reading for 2013.