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The Surreal World
Recommended Reading: Dean Young’s poem “Why I Haven’t ‘Outgrown Surrealism,’ No Matter What That Moron Reviewer Wrote” for Plume.
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A Response to the Death of Writing
“Why, after all, do writers write? What is the impulse, the insistence on story, on seeing and representing the world? It has little to do with technology although everything to do with narrative, which is a purpose that, on the surface, technology also seems to share. The difference is that the writer creates narrative with intention, whereas technology merely gathers, or processes, information, leaving interpretation, analysis, up to us.” Let’s just say David L. Ulin doesn’t think Joyce would work for Google.
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concerning
For those of you who’ve ever wondered to what extent e.e. cummings wrote prose the way he wrote poetry, there’s this letter to consider, published by The Paris Review Daily to commemorate the poet’s birthday. It’s addressed to Ezra Pound, and it features phrases including but not limited to “macarchibald maclapdog macleash.”
“Sing for our time, too.”
Photographer Stefano De Luigi, featured in the latest New Yorker, traces the route and oral tradition of Homer’s The Odyssey using only an iPhone.
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Pynchon Defends McEwan
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Writers Bloc Series
In Zadie Smith’s introduction to the Writers Bloc series, she writes that the program sought essays “that were not only pious, charitable or analytical but also readable, engaging, exciting.” The essays published by Guernica certainly meet this criteria. I particularly recommend Aleksandar Hemon’s essay on first graders in Bosnia and Herzegovina.