The Rumpus’s Stephen Elliott is using Kickstarter to raise money for the film adaptation of his novel Happy Baby. However you could also fund the project in a more three dimensional plane by attending November 29th’s Fundraising Party (which we’re co-sponsoring!). The party will include comedy by Eugene Mirman and readings by Jami Attenberg and Rick Moody.
It’s a quiet week for new books. David Mitchell’s Cloud Atlas, which famously became a blockbuster bestseller after being released as a paperback original, is now available in hardcover for the first time ever in the U.S., thanks to a new Modern Library Edition. Short story master Tessa Hadley has a new collection out, Married Love, (as a paperback original, coincidentally).
Denmark has a new superstar, and he’s a poet named Yahya Hassan. At 18, Hassan has published a poetry collection that sold 100,000 copies in three months — a figure that, in Denmark, translates to one copy for every fifty residents. At the LARB, Pedja Jurisic delves into the young poet’s incendiary politics.
The Minneapolis Star Tribune has named author Lesley Nneka Arimah its 2017 Artist of the Year. They note, “Arimah is at the forefront of a growing number of young authors, primarily immigrants and writers of color — in the Twin Cities, as well as across the country — who are writing some of the most original and interesting fiction and poetry being published today.” Arimah is the author of the short story collection What it Means When a Man Falls From the Sky, a 2017 Year in Reading favorite. She was also honored as one of the National Book Foundation’s “5 under 35” and named as a finalist for the John Leonard Prize. Congratulations!
“Like actual endangered species, independent bookshops induce a fiercely protective kind of love; paradoxically, it’s often their precarity that saves them.” The Guardian profiles Philippe Ungar and Franck Bohbot, the men behind “We Are New York Indie Booksellers,” which features the 50 remaining indies in and around Manhattan. (Pair with: Janet Potter‘s history of bookstore love).
This week saw the release of Vanishing Point, Vol. II: Songs of the Living and Dying. You may recall my earlier mention of the Vanishing Point project, which was recently borne out of Duke University’s Center for Documentary Studies. This time around, the publication boasts a redesigned appearance, and it features articles and essays about midwifery in Mali, the intersections between poetry and cinema, and a view of Walden Pond that you’ve never seen before — all presented with accompany visual material, and all produced by university students. This is outstanding stuff, and it’s well worth your time.