In riot grrl news, here’s an interview with Corin Tucker, formerly of Sleater-Kinney, over at The Rumpus.
This review of Paul Murray’s newest novel, The Mark and the Void, praises Murray for his biting, weapons-grade one-liners and calls it “the funniest book ever written about the international banking system.” Here’s a link to our own, particularly hilarious interview with Murray.
"Thinking about her life is like sifting ashes. You believe you see the clear outline of a message, but it inevitably disintegrates before you can be sure of its sense. The mantle of a 'rediscovered writer' has never settled firmly around [her] shoulders; she has a way of resisting the platitudes of remembering." Michelle Dean on the writer Nella Larsen.
Kirk Curnutt takes readers on a tour of of F. Scott Fitzgerald's oft-neglected commercial short fiction. Fitzgerald, after all, "produced 160 short stories [in his life]," writes Curnutt, "earning a total of $241,453 off the genre -- more than $3 million in today's dollars." Yet the author didn't think highly of the work, and even referred to himself as an "old whore" because he wouldn't quit.
A surreal theater production of Haruki Murakami’s Kafka on the Shore, directed by Yukio Ninagawa, premiered at the Lincoln Center Festival in July. Ian Buruma writes for the NYRB about the marriage of tradition and modernity, and Western and Eastern references in the play. As he puts it, "even without traditional references, the production—perhaps more than Murakami’s novel—is still unmistakably Japanese: stylized, poetic, comical, violent, full of spectacular effects, and often exquisitely beautiful to look at. The setting jumps at lightning speed from a bus station, to a library, to a sleazy bar area. Various characters emerge and disappear, like memories or scenes from a dream, in an assortment of moving transparent boxes."
For those who like their celebrity fashion with a voluptuous lashing of satire, this Fug's for you. Check out the maybe-not-so-pretty fashion blog Go Fug Yourself's Grammy Awards coverage--or lack of coverage, as was (quelle suprise!) the case with Britney Spears.
Few people have heard of Iceberg Slim, but that doesn’t mean he hasn’t been important. His autobiography, published in 1967, tells the story of his life as a pimp, and one of his novels, Trick Baby, was made into a 1972 movie. He’s been called “the Mark Twain of hip-hop.” At Salon, Scott Timberg talks with Justin Gifford, the author of a new biography of Slim.