In riot grrl news, here’s an interview with Corin Tucker, formerly of Sleater-Kinney, over at The Rumpus.
Over at Guernica, Liza St. James interviews Adam Z. Levy and Ashley Nelson Levy, the founders of the independent press Transit Books. As they put it, “We were noticing this kind of partition between two types of readerships: those who read domestic literature and those who read translation. […] We were interested in the separation of those literary spheres, and began to wonder how to bridge the gap between them.”
“When watching [Abbas] Kiarostami films, one also has a great sense of another kind of freedom not found in Hollywood movies, nor in most European art films: freedom from the creeping realization that a film we are watching was made by a cynical shit or a self-deluded megalomaniac.” Here’s something you don’t see every day — an essay that begins with an Independence Day showing of The Purge: Election Year, and somehow ends up at a poetic examination of Kiarostami’s artistic legacy.
Much fuss was made about Barack Obama’s ex-girlfriends this week, as an excerpt from David Maraniss’ forthcoming Barack Obama: The Story was published in Vanity Fair. Of course, we sophisticated book readers care less about the man’s old flames than we do his literary pursuits, right? That’s why Mr. President’s analysis of T.S. Eliot’s poem “The Wasteland” is so interesting.
In The Morning News, Jessica Francis Kane asks where is the line drawn between literary fiction and historical fiction; why is historical fiction maligned; and what happens when you write a novel and one of the characters attends your reading?