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"After ten years of painting, that is to say ten years of using an abstract, invented language, writing stories was the closest I had come to working in the realm of 'realism.' It was the most direct I had ever been in my art. Perhaps the most direct I had ever been. But, as I learned from the comments of my peers in workshop ('this isn’t a story,' 'this is poetry,' 'what is this'), my writing was something other than what we referred to as literary realism. By which I mean, the writing many have come to believe most accurately represents life." Susan Steinberg asks what happened to American experimental writing.
Julie Delphy's second film as writer/director/actress is released in Europe this month. The subject is 16th century Hungarian/Transylvanian countess Erzsébet Bàthory, known for murdering young girls to bathe in their blood and considered by some the first female serial killer. Judging from the trailer, Delphy's film doesn't appear to equal earlier visions of the Bloody Countess (French Surrealist Valentine Penrose's hallucinatory biography, for example, or Terry Gilliam's Mirror Queen (Monica Bellucci) in The Brothers Grimm).
Our own Janet Potter has teamed with Michael Shaub to launch The Book Report, an online weekly literary talk show. The first episode, which focuses on David Pearce's Red or Dead, is now available on YouTube. Pair their video with Mark Lane's Millions review of Pearce's novel.
Boss Fight Books is a new series in the mold of the classic 33 1/3 model. In lieu of covering music albums, however, each Boss Fight book “will take a critical, creative, historical, and personal look at a single classic video game.” The first titles in the series will investigate Earthbound and Galaga, and they should be out by next December and January, respectively.