The New Yorker interviews Alice Munro.
“For years and years I thought the stories were just practice”
The Discreet Charm of the Bourgeoisie
“‘What I want,’ a young Luis Buñuel announced to the audience at an early screening of his first film, Un Chien Andalou (1929), ‘is for you not to like the film … I’d be sorry if it pleased you.’ The film’s opening scene, which culminates in a close-up of a straight-edge razor being drawn through a woman’s eyeball, is often taken as the epitome of cinema’s potential to do violence to its audience…Horror movies frighten us; violent thrillers agitate us; sentimental stories make us cry. Suffering is often part of our enjoyment. Within limits, however: we are not to be so displeased that we are not pleased. Buñuel deliberately went beyond the limits of permissible displeasure. And so, in his own way, does the Austrian filmmaker Michael Haneke.”
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Fire It Up
Michael B. Jordan was tapped to play Montag in HBO’s adaptation of Ray Bradbury’s Fahrenheit 451. The project, which will also star Michael Shannon as Beatty, is currently under development. (Bonus: Tanjil Rashid on “Bradbury’s Middle East Connection“)
Hunger Games on a Lean Budget
Skip the overpriced coffee today and treat yourself to the entire Hunger Games trilogy (on Kindle) for the low, low price of $5.
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Sergio De La Pava on Boxing
Did Garth Risk Hallberg’s profile of Sergio De La Pava, enigmatic author of A Naked Singularity, whet your appetite for a taste of his writing? Well, check out this excerpt from the book over at The Classical.
Live New Yorker Cartoons
Recommended Viewing: New Yorker editor in chief David Remnick appeared on Late Night With Seth Meyers to introduce a new segment “Live New Yorker Cartoons.”
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Politics and Prizes
“I lost him when he became a neo-liberal.” Certain Swedish literary critics remain outraged that Mario Vargas Llosa won the Nobel Prize for literature despite abandoning his prior socialist political beliefs. (via Arts and Letters Daily)