Two ways of looking at a book: “Had I been still more articulate, I might have said that there’s a special readerly pleasure in approaching a book as you would a box. In its self-containment lies its ferocious magic; you can see everything it holds, and yet its meagre, often hackneyed contents have a way of engineering fresh, refined, resourceful patterns. And Emily might have replied that she comes to a book as to a keyhole: you observe some of the characters’ movements, you hear a little of their dialogue, but then they step outside your limited purview. They have a reality that outreaches the borders of the page.”
The “Bloggies” are back. Looking at this year’s nominees, our thoughts from last year still hold true.We try not to rag on the NBCC too much around here, but inadvertently giving your big book recommending initiative the same name as a wildly popular reading-focused social network just smacks of cluelessness.People are still ripping on litblogs. This time, it’s Bud eloquently defending our honor.The New Yorker has presented its portfolio of winners in its contest to “redefine Eustace Tilley,” the magazine’s dapper icon.Free, downloadable mini-books from Chicago’s Featherproof BooksDoes Malcolm Gladwell’s The Tipping Point hold up in the real world? Not exactly.FSG’s Lorin Stein reviews Norman Rush’s Mortals: “the most brilliant book of the new century [maybe].”Granta’s 100th issue (congrats!) is here. William Boyd’s introduction offers up some history on the magazine.Just in time for “Super Tuesday,” Michael Chabon throws his hat in the ring for ObamaAttention “Oregon Trail” fans, outdoor equipment company Thule offers a goofy remake of the game. Ah, advertainment. (via)Finally, an important question, answered.
Among the many quotable and occasionally perplexing lines in this interview with V. S. Naipual is this one, which the Bend In The River author drops upon hearing that his interviewer, Isaac Chotiner, is a fan of P. G. Wodehouse: “I can’t read Wodehouse. The thought of, shall we say, facing three or four months of nothing but Wodehouse novels fills me with horror.”
New this week: Academy Street by Mary Costello; The Children’s Crusade by Ann Packer; After the Tall Timber by Renata Adler; Recipes for a Beautiful Life by Rebecca Barry; A Slant of Light by Jeffrey Lent; The Water Museum by Luis Alberto Urrea; All Involved by Ryan Gattis; Odysseus Abroad by Amit Chaudhuri; The Language of Paradise by Barbara Klein Moss; and Ashes in My Mouth, Sand in My Shoes and I Refuse, two books by Per Petterson. For more on these and other new titles, check out our Great 2015 Book Preview.
The premier English-language translator of modern Chinese fiction, Howard Goldblatt, says flatly that Western audiences don’t read Chinese books. However, with last year’s Nobel Prize win for Mo Yan (and the rave review his novel Pow! received in the Times), Goldblatt and other scholars are hoping that could change.