Choire Sicha discusses the use of the phrase “from the sidelines.” (h/t The Awl)
The thing about Dave Chappelle, writes Rachel Kaadzi Ghansah in her marvelous essay on the comedian’s family history, the success of Chappelle’s Show, and how the two informed his opinions on race, “is that he was suddenly vaulted into the awkward position of being the world’s most famous interlocutor in a conversation about race—the one conversation no one likes having.” In light of his recent heckling in Connecticut, as well as the continued misinterpretation of his comedy, “it’s easy to understand why Chappelle was done with being misread, tired of explaining, [and so he] finished talking.”
“If you remember the sixties, then you weren’t really there.” We’ve all heard the saying, but in case you actually forgot what the sixties were like, I have good news for you. The complete archive of Oz Magazine, sometimes called the most controversial magazine of the sixties, is available for download over at Open Culture. Oz regularly featured work by such artists as R. Crumb, Germaine Greer, and many more.
There’s been a lot of talk recently about the possibilities for contemporary war literature, especially in light of the success of Phil Klay‘s Redeployment. Now Flavorwire considers “a crop of fiction that approaches the question of American intelligence, torture, and military intervention slantwise,” particularly Mark Doten’s The Infernal, which was included in our 2015 Book Preview.