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John Berger, In Memoriam
The British critic, essayist, and novelist John Berger died yesterday at his home in France, reports The New York Times. Probably best known for his book of art-criticism-as-philosophy Ways of Seeing, which was turned into a popular BBC series and sold more than a million copies, Berger also won the Booker prize for G. in 1972 and was nominated again in 2008 for an epistolary novel, From A to X. The Guardian has rounded up some of his quotes, including the apt-feeling “[h]ope is not a form of guarantee; it’s a form of energy, and very frequently that energy is strongest in circumstances that are very dark.”
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Curiosities
Olsson’s, a small chain that was an old standby among Washington D.C. independent bookstores, is likely to file for bankruptcy. It was the stores’ ample music sections and gentrification that contributed most to its downfall. “‘The book business is getting a little soft. It’s not selling as much as it used to,’ Olsson said. ‘Our music sales went from 50 percent of our business to maybe 15. We lost a lot of revenue, and at the same time rents went up and real estate taxes went up. I don’t know what we would have done differently. It’s a killer.'”The linguistic capabilities of modern world leaders. Well done, Pope, well done.For those whose fantasies involve real estate: Private Islands for SaleAnd a pair of audio items:Nam Le’s The Boat is getting rave reviews. Here he visits The Leonard Lopate Show.Garth covered the PEN World Voices Tribute to Robert Walser. Interested readers can now listen to the entire event.
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Dark Matter
Next week, Martin Amis will publish Zone of Interest, a dark new novel that takes place, like his earlier Time’s Arrow, in Nazi-occupied lands during the Holocaust. In this week’s New Yorker, Joyce Carol Oates reviews the book, suggesting that Amis is most compelling when he writes as a “satiric vivisectionist.” You could also read our own Mark O’Connell on Lionel Asbo: State of England.
Real Life Rosebud
Last month, we got the gossip from Orson Welles. This month, the dirt is about him. His first film, Too Much Johnson, was recently rediscovered in Italy.
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As Good as Gold
Michael Ondaatje’s The English Patient won the Golden Man Booker Prize, the one-off award celebrating the best work of fiction from the last five decades of the prize. About the prize, Ondaatje said “I wish in fact that those of us on this Man Booker list had been invited to propose and speak about what we felt were the overlooked classics—in order to enlarge what ought to be read, as opposed to relying on the usual suspects.” Read the rest of his illuminating and gracious speech over at Literary Hub.
Writing-Dude-in-Nature Territory
“In Pond, Claire-Louise Bennett stomps all over writing-dude-in-nature territory with her poetic unraveling of Thoreau’s wilderness jaunt.” A. N. Devers on Bennett’s celebrated new collection.
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The Personal Is Political, the Political is Personal
Over at Electric Literature, John Freeman profiles Year in Reading alumnus Ben Lerner, newly minted MacArthur genius and author of two novels in which “the political opens a path for the personal, just as the personal urges him to engage the political.” Freeman writes, “This blending—of perception and politics—comes right out of how Lerner sees the world in real life.” Pair with Christopher Wood’s Millions review of Lerner’s 10:04.