Cher and Cher Alike
Boy Geniuses
A snarky take on Dave Eggers and Spike Jonze‘s Wild Things and a positively damning view of Wes Anderson‘s behavior during the filming of his forthcoming adaptation of Roald Dahl‘s The Fantastic Mr. Fox, all available at Gawker.
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Bourdain & Books
As we mourn the loss of Anthony Bourdain, the Los Angeles Times remembers his impact on the literary world and the ways in which the literary establishment wanted him to ‘shape up’. A well-read chef and writer, Bourdain’s most well-known book was Kitchen Confidential. Pair with this essay on food writing.
New Jhumpa Lahiri Novel
This just in: Jhumpa Lahiri has a new novel coming in September called The Lowland.
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Speaking of The New Yorker…
Is just me, or has The New Yorker been resurgent the last few weeks? In addition to the David Grann piece mentioned below, we’ve gotten: Bloomberg, diving, James Wood‘s most cogent essay to date on atheism and belief, and a F-B-P triple play. (That’s Friend to Bilger to Paumgarten, for those keeping score at home.) And I read the fiction for five issues in a row – a personal best. I know they assemble these things far in advance, but it still feels like the Ian Frazier “Siberia” two-parter, eight years in the making, started some kind of conflagration of awesomeness. Thoughts?
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Tuesday New Release Day: Chabon, Díaz, Straight, Boianjiu, Powers, Byrne, Woodward
Another big week for books is headlined by Michael Chabon’s Telegraph Avenue (the book’s opening lines) and Junot Díaz’s This Is How You Lose Her. Also out are Susan Straight’s Between Heaven and Here, touted debuts The People of Forever Are Not Afraid by Shani Boianjiu and The Yellow Birds by Kevin Powers, How Music Works by Talking Heads frontman David Byrne, and Bob Woodward’s latest Beltway tick-tock The Price of Politics.
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The Lost Female Beat Poet
The Beat Generation was such a largely male-dominated literary movement that its few female writers have mostly been forgotten. At The Toast, Megan Keeling remembers Beat poet Elise Cowen, who is mostly known as Allen Ginsberg’s paramour but also wrote poetry of her own. “Her surviving poetry shows a unique perspective on the rigid cultural conformity of the 1950s and also the fringe artistic community of the Beat Generation.” A collection of her poetry, Elise Cowen: Poems and Fragments, was just published.
Her surviving poetry shows a unique perspective on the rigid cultural conformity of the 1950s and also the fringe artistic community of the Beat Generation.
Read more at http://the-toast.net/2014/04/24/elise-cowen-and-the-female-beat-poets/#W1BLwQlomazyFTiH.99
Her surviving poetry shows a unique perspective on the rigid cultural conformity of the 1950s and also the fringe artistic community of the Beat Generation.
Read more at http://the-toast.net/2014/04/24/elise-cowen-and-the-female-beat-poets/#W1BLwQlomazyFTiH.99
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In Their Own Words
The translators behind books such as Don Quixote, My Struggle, and Swann’s Way talk about their translation process. Lydia Davis explains, “When I was translating novels, I would not read the text first, and that was very important to me because it let me retain the excitement of the unknown.”