"Pornography has changed unrecognizably from its so-called golden age—the period, in the sixties and seventies, when adult movies had theatrical releases and seemed in step with the wider moment of sexual liberation, and before V.H.S. drove down production quality, in the eighties. Today’s films are often short and nearly always hard-core; that is, they show penetrative sex. Among the most popular search terms in 2015 were 'anal,' 'amateur,' 'teen,' and—one that would surely have made Freud smile—'mom and son.'" The New Yorker attempts to make some sense of modern pornography.
“I’m fascinated by epigenetics. My father had polio that affected his left leg, and I walk with my left foot turned in for no good reason at all. I was attacked by a dog when I was ten, and both my daughters have an irrational fear of dogs. It makes a strange kind of sense.” Year in Reading alum Rebecca Makkai discusses Music for Wartime and her writing process with Christine Rice. We interviewed Makkai following the release of The Hundred-Year House.
It's hard to write when the internet beckons. So has said Dani Shapiro and our own Emily St. John Mandel. Colson Whitehead doesn't necessarily agree, however. Ditto for our own Kevin Hartnett. Now the folks at Electric Literature have thrown in their two cents.
Back to the Future II originally featured a very different Doc Brown from the one that made the final cut. Behold Doc’s 1967 alias, his hippie parents, and his apparent affinity for motorcycles in this 147-page script (PDF) that was later re-purposed into the movie we know today. (The Bizarro Doc action picks up around page 90.)