At the Poetry Foundation’s website, a list of twelve poets that captivated American presidents.
The Walking Tour is drawing ever nearer! Get all the details and RSVP if you want to be notified of any schedule changes.In the NYRB, Mark Danner examines the politics of torture, and J.M. Coetzee gets deep inside Samuel Beckett’s head.James Wood finger-drumming on YouTube is just the most weirdly hypnotic thing we’ve ever seen.Typewriter-part art. (via The Rumpus)A new front runner in the coolest bookshelf contest. Think of it – geographic classification! (for American lit only)”Geoff Dyer book unlikely to win Bad Sex Award“Jane Austen got rejection letters too.Wow. A new Kurt Vonnegut collection is on the way. Amazon has it listed.A glimmer of good news in the newspaper business?Audrey Niffenegger is having a pretty good recession.Further Reading: Kevin’s list of families and fiction has garnered many additions from readers in the comments.
To get a full sense of the legacy of William Blake, you need to see his paintings alongside his famous poems. The Wordsworth contemporary did much of his best work — including the covers of his own collections — with a brush. At the New York Review of Books blog, Jenny Uglow pays a visit to a new exhibition at Oxford.
Jill Abramson, fired last week from her post as New York Times executive editor, broke her silence today with her commencement address at Wake Forest. “I’m talking to anyone who has been dumped,” she said. “Not gotten the job you really wanted or received those horrible rejection letters from grad school. You know, the sting of losing, or not getting something you badly want. When that happens, show what you are made of.” Video here.
“I think it’s important that poets exist in societies because they exist in the realm of affect. Feeling is important to them. How people feel, what they feel, what breaks them, how trauma resonates through their lives… that’s a legitimate space in poetry. It’s a legitimate space for investigation.” Aaron Coleman interviews Citizen author Claudia Rankine about intimacy, her writing process, and her experience in an MFA program.
Jonathan Franzen’s 2011 Kenyon commencement speech, published this weekend in the New York Times, covers love, consumerism, and narcissism in the digital age. If you’re concerned with critical reception, looks like you’re not a creator of “serious art and literature,” in Franzen’s eyes.