Nearing the end of your epic NaNoWriMo novel? The good folks at Electric Literature found some music to aid your concentration.
Brain Food
Almighty Beyoncé
“O Unslaked Bill Maher, is it true that everything sucks? It probably is, but I didn’t think we were supposed to know that yet.” Fathers of pre-teen girls appeal to higher powers of various, disparate denominations over at McSweeney’s.
●
●
Living like Fitzgerald
“Recent research has shown that messy, dark, noisy, booze-filled environments like the one Fitzgerald cultivated at La Paix can, in fact, help stimulate creativity.” The Atlantic reports on the importance of environment for creativite work and / or gives you an excuse to live like Fitzgerald.
Amazon Plans for Zombies
●
●
Life in Letters
“To age is to understand that the powers of total recovery are gone, are no longer anticipated (except by those who, having lost their marbles, no longer know what to anticipate).” The epistolary legacy of writers such as Samuel Beckett, Saul Bellow, and Elizabeth Bishop offers invaluable insight into the process of growing older, writes Robert Fay for The Atlantic. See also our own Lydia Kiesling on the narrative possibilities of leaked emails.
●
●
Chris Adrian’s Take on Shakespeare
Chris Adrian‘s pedigree is impressive: former Harvard Divinity student; Iowa Writer’s Workshop graduate; current fellow in UCSF’s pediatric hematology/oncology department; lifelong fan of Shakespeare. He’s also found time to appear in The Paris Review, The New Yorker, and McSweeney’s. Great Night, his latest novel, imaginatively reboots A Midsummer Night’s Dream by setting it in San Francisco’s Buena Vista Park. Here’s some footage of him reading an excerpt at last month’s FSG Reading Series.
●
●
Women’s Artistic Genius
Over at Public Books, Katie Fitzpatrick writes that Dana Spiotta’s Innocents and Others is a novel on women’s artistic genius. Pair with Jason Arthur’s review of the novel.
Correcting Gender Inequity
The Interference Archive went on a Wikipedia edit-a-thon to help balance gender inequality on the site, which is overwhelmingly edited by men. Our own Sonya Chung writes on how to write across gender.