November 16th marks the release of the new film version of Anna Karenina (written by Tom Stoppard), which you can watch the trailer for here. It might also be a good time to brush up on the novel itself.
Levin and Vronsky Are Dead
The Stanford Letters
“I’m annoyed that so many young rapists lack interest in their own motivations, or are led to believe that an absence of real psychic motive will make the crime merely an act, when really it’s the uninterested mereness of the act that makes it feel, to some victims, so criminal.” Sarah Nicole Prickett compares the many letters released following Brock Turner’s trial at n+1.
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Mark Twain’s Posthumous Career
Roger Boylan at the Boston Review writes about the flourishing posthumous career of Mark Twain: “…more than 5,000 previously unknown letters of Twain’s have surfaced in the last 50 years. This represents an average of two new letters per week, but still only about one-tenth of the 50,000 or so he is believed to have written.” And at Slate, Craig Fehrman discusses the “brilliant brand management” behind the handling of Twain’s autobiography.
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Tuesday New Release Day: Ng; Kwok; Moses; Scheft; Ahmad; Fitzgerald
New this week: Everything I Never Told You by Celeste Ng; Mambo in Chinatown by Jean Kwok; The Appetites of Girls by Pamela Moses; Shrink Thyself by the Letterman staff writer Bill Scheft; The Last Taxi Ride by A.X. Ahmad; and the Cambridge University Press edition of F. Scott Fitzgerald’s Taps at Reveille.
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A Modest Debut
Adam Levin, author of the years-in-the-making The Instructions, steps into the spotlight.
Encountering an Enfant Terrible
It’s 1957. You’re Truman Capote. Your editor at The New Yorker, inspired in part by an excellent sense of humor, has asked you to write about an upcoming film (based on a novel by James Michener) that stars none other than Marlon Brando. How do you handle it?
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