“It’s like a crackpot combination of Baz Luhrmann’s Moulin Rouge!, Ingmar Bergman’s The Magic Flute and Lars von Trier’s Dogville. Does this crazy idea work? Maybe 70 percent of the time, but when it does it’s both daring and brilliant.” At Salon, Andrew O’Hehir is surprised by Anna Karenina.
“Jawline of an aircraft carrier”
The Joy of Writing Real Human Beings with Jean Chen Ho
Jean Chen Ho discusses her new novel, Fiona and Jane, which follows a friendship between two women over the course of decades.
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Portraits of BEA
Brandon Stanton, the man behind the candid portrait blog Humans of New York, takes on BookExpo America in The Humans of BEA, A Photo-Essay.
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Read Your McClanahan
Recommended Reading: an excerpt from Crapalachia: A Biography of a Place by Scott McClanahan. We recently featured an article by Eric Obenauf – the book’s publisher – on the benefits of moving away from New York City.
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Literary Disco
Literary Disco, a podcast hosted by Julia Pistell, Tod Goldberg, and Rider Strong (yeah! Sean from Boy Meets World!) is just great. In the most recent installment the hosts revisit their bookshelves and describe their new findings from rereading some faves, including Strong’s overwhelming reaction to T.C. Boyle‘s author photo.
The Real Dystopia
n+1 republished “The End, The End, The End,” an essay by Chad Harbach, in response to the destruction of Sandy.
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Yuks of the North
“A Canadian author, a farmer, and a First Nations teenager went fishing. The farmer mostly sat there quietly while the author and the teenager tried to find common ground, even though the gulf between them felt massive.” A Canadian literary scene joke book.
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Camus’ Web
Have you ever wondered what Charlotte’s Web would be like if Albert Camus joined the farm creatures? Well, someone wrote it for you at McSweeney’s. Pair with our review of Camus’ American Journals.
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If You’re Reading This
Actor and humorist Nick Offerman at “By The Book” on choosing George Saunders to write his hypothetical life story: “I think [Saunders] would embarrass me by telling the justifiable truth, but with such élan that I would have to shrug and say, ‘It was worth it.’ If anybody could pull it off, I believe Mr. Saunders would have the tools and talent necessary to render the woodshop traumas of sandpaper and spokeshave, the roller coaster dynamics of a character actor’s life in showbiz, and my relentless penchant for filling a room with noxious gases into a palatable narrative. George — if you’re reading this and you’re up for it — before you dive in, I would just like to say that I think you’re very handsome.”
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