Here are three pieces about horror in honor of 2012 being the centenary of Bram Stoker’s death. 1) Yazan al-Saadi’s fascinating survey of Arabic horror cinema, which is not only “about what can frighten most Arab audiences, [but is] … also a chronicle of the abnormalities and dysfunctions lacing the underbelly of Arabic cinema as a whole.” 2) Ed Park’s essay on “the audacious enterprise” of Rosemary’s Baby. 3) Stuart Kelly’s entreaty for modern writers of horror to “raise its game.”
A Horrifying Triptych
(Not) A Restaurant Review
The Morning News is asking writers to visit restaurants and then write about the experience, so long as the piece they write adheres to two criteria: “1) it is a restaurant review” and “2) it is not a restaurant review.” First on deck: Roxane Gay, whose novel Untamed State was recently reviewed for our site.
New Open Letters Monthly
In the new issue of Open Letters, “Sam Sacks tours the city with E.L. Doctorow, Colm Tóibín, and Colum McCann.”
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“Carefully Arranged Derangement”
“Literature offers a way of framing, or reckoning with, the chaos of a universe we can never truly know.” The LA Times interviewed Denis Johnson about his new novel The Laughing Monsters, an excerpt of which can be read online here.
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Philip Roth to Appear on Colbert
What do you do after you’ve retired but before you’ve won a Nobel Prize? You get interviewed by Stephen Colbert, apparently. (Bonus: How have other authors retired in the past? Let us count the ways.)
Braving the Bestsellers
Canonical literature isn’t the only way to learn about America. The bestseller list can be equally as telling. Matthew Kahn is reading 100 years of No. 1 bestsellers from 1913 to 2013. He blogs about the books and discusses the project in an interview with Salon’s Laura Miller. When Miller asks what makes a bestseller, he claims, “A lot of it is just a matter of accessibility. A focus on plot and character rather than structure and the prose itself.”
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Dubus on Love and Class
Neutral Language and Other Myths
“Apple’s example sentence for ‘shrill’ referenced ‘women’s voices,’ and the one for the word ‘psyche’ read, ‘I will never really fathom the female psyche.’ […] The pronouns in entries for ‘doctor’ and ‘research’ were male, while a ‘she’ could be found doing ‘housework.’” The New Oxford American Dictionary needs its own guidelines for nonsexist usage.
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