Here are three pieces about horror in honor of 2012 being the centenary of Bram Stoker’s death. 1) Yazan al-Saadi’s fascinating survey of Arabic horror cinema, which is not only “about what can frighten most Arab audiences, [but is] … also a chronicle of the abnormalities and dysfunctions lacing the underbelly of Arabic cinema as a whole.” 2) Ed Park’s essay on “the audacious enterprise” of Rosemary’s Baby. 3) Stuart Kelly’s entreaty for modern writers of horror to “raise its game.”
A Horrifying Triptych
If A Boy Could Dream
“I was a fraud in a field of language, which is to say, I was a writer.” Ocean Vuong on immigrating into English and the first poem he ever wrote.
●
●
Tuesday New Release Day: Adichie, Knausgaard, Brown
New in fiction this week is Chimamanda Ngozi Adichie’s Americanah. The second volume of Karl Knausgaard’s My Struggle hits American shores (read about Volume One). Oh yeah, and that Dan Brown guy has a book out.
●
●
On Miss Lora
The New Yorker‘s Book Bench talked with Junot Díaz about “Miss Lora,” his story about an illegal liaison between a boy and much older woman published in the magazine this week.
●
●
Alexandra Huynh Is Speaking On Her Own Terms
Newly appointed youth poet laureate Alexandra Huynh discusses the significance of her new role and the motivation behind her own poetry.
●
●
●
Swamplandia! Gets Top 10
Karen Russell, author of Swamplandia!, (who I interviewed last February) is having a very good year. She has a spot on the NYT list of the 10 Best Books of 2011, and last month HBO optioned the novel for what they describe as a “half hour comedy series.”
Charlie Sheen’s Poetry
It was probably inevitable that someone would turn the ravings of Charlie Sheen into found poetry. But unlike similar collections “by” Donald Rumsfeld and Rod Blagojevich, this one offers us the opportunity to compare it to the real thing – Sheen’s early ’90s chef d’oeuvre, A Peace of My Mind.
●
●