Here are three pieces about horror in honor of 2012 being the centenary of Bram Stoker’s death. 1) Yazan al-Saadi’s fascinating survey of Arabic horror cinema, which is not only “about what can frighten most Arab audiences, [but is] … also a chronicle of the abnormalities and dysfunctions lacing the underbelly of Arabic cinema as a whole.” 2) Ed Park’s essay on “the audacious enterprise” of Rosemary’s Baby. 3) Stuart Kelly’s entreaty for modern writers of horror to “raise its game.”
"Yehuda Amichai’s genius lies in how—to borrow from his own language—he makes metaphor 'useful.' He thinks metaphorically, and in so doing he makes stories of them, treating his likenesses as if they were not metaphorical but animated literalisms. That’s why, I suspect, his metaphors have not merely poetic power but practical vitality, in the way that a horse is not only alive but usefully alive." Every time James Wood publishes a big profile in The New Yorker, it's worth a read; this week's essay on the "secular psalmist" and poet Yehuda Amichai is no different.
Eve Bowen takes a trip to "Gorey Preserved," an exhibition of "nearly every edition of every work published by [Edward] Gorey, in addition to illustrations for dust jackets and magazines, etchings, posters, and design ephemera," on display at Columbia University until August 10th. Those unable to attend need not fret—Bowen walk readers through a history of the prolific illustrator's work and includes plenty of links to his drawings online.
Hitchens looks back at the Rushdie fatwa and its legacy of censorship.The Feltron 2008 Annual Report"The Governor and the Glove" - an encounter with BlagojovichJoseph O'Neill remembers Updike (via TEV)Ted Leo performs Bruce Springsteen's "Dancing in the Dark."The Paleolithic era of online news.TNR reviews Outliers: "It is an axiom of Malcolm Gladwell's method that a perfect anecdote proves a fatuous rule."