Adrienne Rich on Paul Goodman; Norman Mailer on Morley Callaghan; Susan Sontag on Simone Weil; W.H. Auden on David Jones; Gore Vidal on John Hersey; and $1.45 new releases. The inaugural issue of The New York Review of Books is a sight to behold.
"[C]ommunity building takes a lot of time and effort and can take a long time to pay off. It’s the long con that’s not a con." In Electric Literature's "Blunt Instrument" column, Elisa Gabbert takes on the topic of writing with chronic illness and disability. See also: our own advice columnists Swarm and Spark!
For The New Yorker Alex Ross describes the role Nebraska's prairies played in Willa Cather's writing, his encounters with Cather people, and how he became one himself. "From this roughshod Europe of the mind, Cather also emerged with a complex understanding of American identity. Her symphonic landscapes are inflected with myriad accents, cultures, personal narratives—all stored away in a prodigious memory. "