By happy accident, the third issue of Brooklyn-based lit mag Armchair/Shotgun (which uses an anonymous submissions system) is composed entirely of female writers. Issues are available for online purchase. EDIT: Following our update, the publication put out a notice on how the “all-female-writers issue” issue came to be.
Out this week: The Fortunes by Peter Ho Davies; Dear Mr. M by Herman Koch; Sleeping on Jupiter by Anuradha Roy; The Revolutionaries Try Again by Mauro Javier Cardenas; Perfume River by Robert Olen Butler; Weapons of Math Destruction by Cathy O’Neil; Words on the Move by John McWhorter; The Pigeon Tunnel by John le Carré; Hidden Figures by Margot Lee Shetterly; The Art of Waiting by Belle Boggs; Strangers in Their Own Land by Arlie Russell Hochschild; and Here I Am by Jonathan Safran Foer. For more on these and other new titles, go read our Great Second-Half 2016 Book Preview.
What do indie rock musicians share in common with experimental writers? A great deal, and not just a distaste for both of those over-used adjectives.
In a time of crisis, any decision is better than no decision at all. That line--credited to Theodore Roosevelt--is pop conventional wisdom. An excellent piece at Aeon explores the full implications of the line, and may just convince you that your next impossible choice should be made by a soothsayer, a lottery, or a flipped coin.
This week in book-related internet graphics: Penguin has created an interactive map of literary genres, complete with some very creatively shaped "countries". As Electric Literature points out, "the fact that the map is aimed at current self-publishing authors explains why YA is it’s own continent while genres like Gothic fiction don’t exist."