On Friday Twitter announced their new Twitter Fiction Festival, a “virtual storytelling celebration.” The festival will feature “creative experiments in storytelling from authors around the world,” and you can submit story proposals over here.
Twitter Fiction Festival
The (Literary and Presidential) Simpsons
On a Venn Diagram, this site would represent the intersection between “The Simpsons” and prominent works of literature. This one would represent the intersection between “The Simpsons” and a former First Lady.
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Tuesday New Releases
David Remnick’s biography of President Obama, The Bridge is out. (The Times explained how Remnick finds time to run the New Yorker and write a 700-page biography of a sitting president.) Also new: Another chronicle of the collapse, The End of Wall Street by talented financial journalist Roger Lowenstein; Nobel laureate Jose Saramago’s “blog book” The Notebook; another in the posthumously published oeuvre of Irène Némirovsky, Dimanche and Other Stories; the latest from A.L. Kennedy, What Becomes; and Tom Rachman’s touted debut The Imperfectionists.
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A Year in Reading from The New Yorker
New Yorker contributors – including a couple of participants in our “Year in Reading” series – offer a predictably thoughtful and heterodox guide to the best books they read this year.
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Year in Reading Coming Soon!
Once Again, this December we will be hosting our Year in Reading series, and this year’s installment is shaping up to be our most fascinating and star-studded yet. While you wait, enjoy last year’s series all over again, and please consider learning about the five easy (even free!) ways you can support The Millions and our year-end extravaganza this holiday season.
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Explore the Real NW
Explore four of the spots mentioned in Zadie Smith’s NW courtesy of this interactive Penguin Press feature. Listen to Zadie’s own voice and read some of her prose as you explore the streets and buildings. You can also read the book’s first lines over here.
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True Story
Over at Granta, Melissa Febos writes about truth. As she puts it, “The true telling of our stories often requires the annihilation of other stories, the ones we build and carry through our lives because it is easier to preserve some mysteries.”