On Friday Twitter announced their new Twitter Fiction Festival, a “virtual storytelling celebration.” The festival will feature “creative experiments in storytelling from authors around the world,” and you can submit story proposals over here.
Whether you admire the work of e.e. cummings or think of him mainly as the inspiration for your high school’s worst poet, you’ll enjoy this excerpt of Susan Cheever’s new biography, which touches on the poet’s later years and his relationship with Cheever’s father. The two (contrasting) money quotes here are Malcolm Cowley’s claim that cummings was “the most brilliant monologuist I have known” and this exasperated question posed by Helen Vendler: “What is wrong with a man who writes this?
"After years of reading, teaching, and writing about the book, though, I’ve come to believe that... our understanding of what is comic and what is serious in Huck Finn says more about America in the last century than America in the time Twain wrote the book." Andrew Levy writes for Salon about childhood, race, and "dedicated amnesia" in Mark Twain's controversial classic.
Have we entered into the age of New Modernism? Better yet, what does “New Modernism” even mean? Let regular Millions contributor Jonathan Russell Clark explain it to you in his essay for LitHub on George Saunders, Alexandra Kleeman, and experimental feeling. This Millions review of Gabriel Josipovici’s What Ever Happened to Modernism? is particularly relevant.