Tweeting and Nothingness
Who owns a story?
“Who owns the story, the person who lives it or the person who writes it?” Both? Roxana Robinson writes for The New York Times’ Opinionator blog about “The Right to Write.”
What Improv Can Teach You about Writing Humor
Elissa Bassist took an intro improv class and used what she learned to create some rules for writing funny fiction. (Thanks, Rachel)
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Talking Translation
In an interview at The Brooklyn Rail, Susan Bernofsky talks about translating The Tanners, the last novel by the great Robert Walser to appear in English.
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Ripatrazone & Reviews
Our staff writer Nick Ripatrazone has published two books in the last year – the short story collection Good People and the novella We Will Listen For You – and both have recently been reviewed in New Jersey papers, which agree that the books are “an invitation to look beyond the stone walls of churches and gape in wonder at the world and the unknowable vistas beyond.” Pair with Nick’s ever-relevant essays on teaching English and becoming a writer, not a priest.
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Nothing to Say
“The first section of the book inevitably ends up taking on a Rashomon-ic quality, as Sotatsu’s father, mother, brother and sister all get their say about what transpired during his time in prison, along with a prison guard who observed him. But [Jesse] Ball doesn’t let them fall into the he said-she said realm of one-note characters — these are fully fleshed-out people, whose thoughts, emotions and agendas are as real (and sometimes as contradictory) as your own.” On Silence Once Begun.
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“Depressing day”
A while back, I linked to a contentious letter between Saul Bellow and Jack Ludwig, written not long after Bellow found out Ludwig was sleeping with his wife. Now, here’s a (somewhat) less angry piece of correspondence, sent from Philip Larkin to Barbara Pym. Sample quote: “Has anyone ever done any work on why memories are always unhappy?”
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You are Katniss
Ever spent the whole day reading The Hunger Games and then found yourself paranoid that a tribute was following you? Don’t worry; you aren’t crazy. Turns out that reading a really gripping novel can cause our brains to believe we are in the body of the protagonist, and this effect can last for days after reading according to a scientific study.
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In Defense of Anti-Writing
Over at the handsomely redesigned Open Letters Monthly, yours truly weighs in on William T. Vollmann.