Tweeting and Nothingness
Whatever I choose is cool because I am cool.
The Rumpus has an interview up with Ann Friedman, executive editor at GOOD, and curator of the beloved tumblogs Lady Journos and #realtalk From Your Editor.
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It Isn’t Even Past
“People used to wish that life could be as it is in books—that it could have the beauty, drama, and shapeliness that writers gave it. Today, by contrast, we hope desperately that life is not really like our writers portray it; in other words, we hope that writers are not representative men and women, but unfit beings whose perceptions are filtered through their unhealth. It is necessary to hope this, because if life were as it appears in our literature it would be unlivable.” Adam Kirsch explores the downside of literary nostalgia.
A Few Chapters Short of a Novel
Do people enjoy writers like Pynchon and Nabokov in part because they’re so odd? A new paper suggests that we tend to like art when we believe its creator is eccentric. The Atlantic reads through a study that’s a bit of a strange one.
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Writer-Collector
“I do not find it unusual that many writers I know acquire vintage clothes, buy old homes, and rescue animals. For one, we don’t have Wall Street salaries, and secondly, we’re suckers for backstory, particularly that which is left to the imagination. Our job, after all, is to make up lives, engage in epic games of pretend.” Megan Mayhew Bergman writes for Ploughshares about collecting cast-off objects, “the chaos of memories,” and becoming a writer. Pair with David L. Ulin‘s reflection on Bergman’s essay and the way we think about memory, written for the LA Times.
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Cormac McCarthy’s Typewriter
On Friday, Christie’s will be auctioning off Cormac McCarthy‘s Olivetti manual typewriter, which he’s had since 1963. Looks like you need to make sure you’ve got at least $15,000 in your checking account if you plan on bidding. (NY Times article here)
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