It’s that time of year again, readers. It’s time to stock up on gossip, skim through pieces on your favorite writers and populate your bookmarks with pages from Ladbrokes and Intrade. It’s time, in other words, to prognosticate the Nobel Prize winner, which Ladbrokes predicts will be the novelist Haruki Murakami. If you read Ben Dooley’s review of 1Q84, you might have placed your bets already.
Our friends at Electric Literature are Kickstarting Papercuts, "a party game for the rude and well-read." We would've pledged anyway, but this pitch sealed the deal: "It’s what Kurt Vonnegut, James Baldwin, and Virginia Woolf would play if they were alive, locked in a room together, and forced to play a card game." This Cards Against Humanity for the literary set will be delivered in time for Christmas, so keep it in mind for your erudite stocking stuffer needs.
David Fincher had Gillian Flynn rewrite the ending of Gone Girl for his film. Flynn herself relished the changes. “There was something thrilling about taking this piece of work that I’d spent about two years painstakingly putting together with all its 8 million Lego pieces and take a hammer to it and bash it apart and reassemble it into a movie,” she said. What would Amy think?
This is an interview in which five-year-old Desmond and eight-year-old Everett ask some hard-hitting questions of M. Quint regarding her new book The Defiant, and in which Jonathan Lethem makes a brief cameo to helpfully facilitate the discussion–do you need any more reason to read this piece? Here’s a quick hit from C. Max Magee, creator of The Millions, on giving the classics to kids.
Out this week: Vinegar Girl by Anne Tyler; The Mandibles by Lionel Shriver; As Good as Gone by Larry Watson; Disappearance at Devil's Rock by Paul Tremblay; My Last Continent by Midge Raymond; and The World Without Us by Mireille Juchau. For more on these and other new titles, go read our Great 2016 Book Preview.