Let’s take a moment to be jealous of other countries, shall we? In Iceland, “one in ten [residents] will publish something in their lifetime.” Norway’s government “buys 1,000 copies of every book a Norwegian author publishes. It provides a $19,000 annual subsidy to every author.” In Argentina, “the city of Buenos Aires now gives pensions to published writers.”
While millions of teenage girls and grown women (see the Twilight Moms blog if you don’t believe me) wait with bated breath for the November 20th premier of New Moon (see the preview here), the film version of the second installment of Stephenie Meyer‘s Twilight series, some less satisfied readers are making movies of their own–movies in which they beat, burn, and otherwise insult copies of Twilight, New Moon, Eclipse, and Breaking Dawn. See Burn, Twilight, Burn!, Twilight Burning, with Techno, The Twilight Chainsaw Massacre, Twilight Baseball. And that’s only for starters. I also like this one, Twilight Burning Party, in which two spunky Ghost World-y young ladies, Cassi and Angel, do a little stand-up literary critique before burning the book.
Recommended Listening: Margaret Atwood on her new novel – one of the most anticipated books of 2015, and the fall of realistic fiction. As she explains it, “when there’s perceived instability that’s happening you can’t write [a so-called realistic] novel and have people believe it.”
If you read my Year In Reading, and if you’re a really impulsive person, you probably already subscribed to The Virginia Quarterly Review. However if you needed more than just my testimonial in order to open up your wallet, perhaps their official list of “The Best Writing in VQR in 2012” will sway you.
What makes a sentence sad? At The Missouri Review blog, Aaron Gilbreath explores just why certain sentences are depressing — from A.A. Milne’s The House at Pooh Corner to James Joyce’s “Eveline.” “Their emotional impact doesn’t stem solely from the combination of words. The impact often results from the circumstances of readers’ lives.” Pair with: Sam Martone’s metafictional short story about his grandmothers’ deaths, “A Second Attempt,” at Pithead Chapel.
Nowadays, Lord of the Flies is a byword for savagery, a book that illustrates more potently than any other just how low it’s possible for humanity to sink. In The Guardian, Robert McCrum ties the book’s conception to the second World War, arguing that its view of the world was “unimaginable” without Nazi Europe.